Me = I write, I edit, I speak Italian, I teach & I do some translation, too. Plus, I love these little sugar-dusted donuts that the Italians call ciambelle. Ciambelle = Chah-Mm-Bayl-Lay. Welcome & start reading!
I fell in love with this song when I saw the movie "Il Compleanno" (see review on April 12).
You'll need to ignore the slide show of gypsy women ("zingare") but I wanted to post this version rather than the live versions I found on YouTube that I didn't think were as good.
The song played while two of the movie's main characters are riding on a motorbike near the beach. It just shouts out 'summer' and 'freedom'!
Here are the words:
Prendi questa mano, zingara, dimmi pure che destino avrò parla del mio amore, io non ho paura perché lo so che ormai non m'appartiene.
Guarda nei miei occhi, zingara vedi l'oro dei capelli suoi. Dimmi se ricambia parte del mio amore, devi dirlo questo tocca a te.
Ma se e' scritto che lo perderò, come neve al sole si scioglierà un amore.
Prendi questa mano, zingara
Ma se e' scritto che lo perderò, come neve al sole si scioglierà un amore.
Prendi questa mano, zingara, leggi pure che destino avrò Dimmi che mi ama, dammi la speranza, solo questo conta ormai per me.
"ARRIVEDERCI, MOSTRO!" è il nuovo album di Luciano Ligabue. Questo disco esce a esattamente vent'anni dal primo (pubblicato nel maggio 1990), con l'importante compito di demarcare un nuovo inizio.
One of the first singles, "Nel Tempo," is above. Here's a preview of all the songs on the new album:
Not sure if it sounds like one of his best (hard to beat past albums that included songs such as "Certe Notti"), but certainly worth a listen. And without a doubt, he'd be worth seeing live.
Infatti, if you're going to be in Italy this summer, check him out:
09/07 Roma Stadio Olimpico (SOLD OUT!) 10/07 Roma Stadio Olimpico 13/07 Firenze Stadio A. Franchi 16/07 Milano Stadio San Siro (SOLD OUT!) 17/07 Milano Stadio San Siro 20/07 Padova Stadio Euganeo 24/07 Messina Stadio S.Filippo 02/08 Pescara Stadio Adriatico (nuova data!) 07/08 Oristano Aeroporto Fenosu (nuova data!)
I recently received this email about a summer Study Abroad program, which is open to adults as well as college students:
Studia l'Italiano e Scopri la Cultura del Mediterraneo Study Italian and Discover Mediterranean Culture
If you are interested in an unforgettable summer experience, intensive language lessons and profound cultural immersion, film shoots, cinema classes, cooking courses and more, please visit our website: www.derada.com
The De Rada Institute will sponsor the shooting of two movies this summer in Calabria:
Il ritorno di Norman by Renato Guzzardi
and
Illegal by Eva Benedikt (Film Producer: Demetrio Loricchio)
De Rada is offering 10 Special Scholarships for the Celebration of the 10th Anniversary of the program.
Here are the scholarships available for the programs in Calabria, Puglia and Basilicata:
Vincenzino Selvaggi Grant: $1,000 Giuseppe Faraco Grant: $900 Girolamo De Rada Grant: $800 Girolamo De Rada Grant: $700 San Nilo Grant: $600 Sant'Adriano Grant: $500 San Demetrio Grant: $400 Girolamo De Rada Grant: $300 Teresina Bellucci Grant: $200 Giovanni Andrea Bellucci Grant: $100
Michelangelo La Luna Associate Professor of Italian Director of the URI & De Rada Summer Program in Italy www.derada.com Office Hours: M-W 11:00-noon and by app. 159 Swan Hall, University of Rhode Island, 60 Upper College Road, Kingston, RI 02881 (USA)
La storia è reale. L'articolo tratto da una rubrica di notizie del Washington post (ecco giustificato l'italiano non perfetto della traduzione).
Titolo: Ah, The Italians!
Circa un mese fa, un italiano è entrato in una banca di New York e ha chiesto di parlare con un impiegato addetto ai prestiti. Dice di doversi recare in Italia per un mese e che ha bisogno di un prestito di 5,000 dollari.
Il funzionario ovviamente gli comunica che la banca richiede alcune forme di garanzia per concedere un prestito. Così l'italiano ha tirato fuori le chiavi di una Ferrari.
La macchina era parcheggiata in strada di fronte alla banca. L'italiano consegna anche il libretto di circolazione e i documenti dell'assicurazione. Il funzionario accetta di ricevere l'auto come garanzia collaterale del prestito.
Il presidente della banca e i suoi funzionari si fanno quattro risate alle spalle di un italiano che utilizza una Ferrari da 250 mila dollari come garanzia di un prestito di 5 mila dollari.
Un impiegato della banca si mette alla guida della Ferrari e la parcheggia nel garage sotterraneo della banca. Due settimane più tardi l'italiano ritorna,restituisce i 5mila dollari e paga gli interessi pari a 15 dollari e 41 centesimi.
Il solito funzionario gli chiede: "Gentile Signore, siamo veramente lieti per averla avuta come cliente e questa operazione andata molto bene. Però, ci deve scusare: siamo un po' confusi. Abbiamo assunto qualche informazione sul suo conto e ci siamo resi conto che lei è un milionario. Quello che ci chiediamo è perché lei si sia dato la pena di chiedere un prestito per 5 mila dollari."
La risposta dell'italiano non si è fatta attendere: "Secondo lei dove posso trovare a New York un posto dove parcheggiare per un mese la mia Ferrari per 15 dollari e 41 centesimi e sperare di ritrovarla al mio ritorno?"
An Italian language school in Lecce is offering five scholarships for foreign students who want to study Italian during July and August.
(I believe there are also five half-tuition scholarships).
Studying Italian in Puglia would be so awesome I don't have words!
You may recall I went to Puglia and absolutely fell in love with the land, the food, the sea, the rocky beaches and the sandy ones. If you don't recall, you can relive my holiday here:
Okay, I guess this sounds geeky but I think this conference on Galileo sounds really interesting! I receive these notices because I'm on a listserv for Italian professors despite the fact that I'm not one!
University of California, Los Angeles (UCLA) Graduate Student Conference October 29-31, 2010
"Forbidden Ideas: controversial modes of engagement in Italian intellectual tradition"
This year marks the 400th anniversary of the publication of Galileo Galilei’s most influential work, the Sidereus Nuncius (1610).
Although the groundbreaking ideas presented in this short treatise forever changed the perception of the universe in the intellectual and scientific world, Galileo was accused of heresy and faced torture and the Inquisition for the subversive potential of his words.
In the spirit of Galilei’s struggle, the Italian Graduate Student Association (IGSA) at UCLA is pleased to announce a graduate conference that will analyze controversial relationships between intellectuals and the Establishment throughout Italian history. Examples may range from Niccolò Machiavelli to F.T. Marinetti, from Giordano Bruno to Antonio Gramsci.
Did the idea of trial, imprisonment, exile, torture or even death hinder or advance the intellectual's interpretation of his/her contemporary reality? What is the relationship of Italian writers, artists, intellectuals, filmmakers, etc. with power structures throughout the ages?
This conference aims to explore the multifarious nature of this relationship and these questions, and to present current graduate research on controversial modes of engagement in Italian intellectual tradition. Papers from a variety of disciplines are welcome, including Italian literature, Film and Media Studies, Comparative Literature, History of Art and Music, and Science.
Possible topics may address:
Italian intellectuals facing trial and/or torture (Inquisition, Fascism, etc.) Italian intellectuals in jail Italian intellectuals sentenced to death Issues of exile and emigration/immigration Issues of censorship (forbidden books, burned books, censored books/films, etc.) Controversial relationships between the individual and society/politics
In writing these reviews about Atlanta's Italian Film Festival, I forgot to mention that I never write about film and have never worked as a film critic.
Probably painfully obvious, but I mention it because all I'm saying is, I liked these films. And mainly what I want everyone to do is watch Italian films, and maybe these reviews will help get you started or fill you in on the latest releases.
So, the last film I want to mention is "Il Compleanno," which was translated as "David's Birthday."
I liked this film a lot! The cinematography, the music, the characters, the plot -- they all pulled me in right away. These old friends are going to the Italian seaside for the summer, oh how nice, here's your sunny Italian countryside, but wait! You know things are about to go awry.
And much of the trouble, though not all, is spurred by the reappearance of David, the son of one of the couples, who arrives from America.
He's young, he's a fashion model and he appeals to both women and men.
And that's one of the key themes of the film. I should mention at this point that there are those so-called "adult situations" in this film, but in spades. I mean, alla grande. If you're not ready for this, you may want to stay away.
But the way the characters fall apart at the end of the film is so delicious. Particularly the psychoanalyst played by Massimo Poggio. The film also features Alessandro Gassman, a well-known actor in Italy.
All these shrinks want to make it look like they have it all together. Ha ha ha this guy not so much! This guy absolutely and totally self-destructs. And it's fun to watch! In fact, in some scenes the audience actually laughed even though the action was not intended to be funny.
Ok, continuing with reviews of some of the films shown at Atlanta's 4th Annual Italian Film Festival, which wrapped up last week.
"Il papà di Giovanna" ("Giovanna's Father") is next up, and it received the highest rating of any of the films shown, with a score of 9.388, according to the film festival organizers.
It stars Silvio Orlando, a veteran Italian actor who plays a schoolteacher living in Bologna before World War II (the film continues through the war, though the family is forced to leave the city).
His daughter, Giovanna, is considered delicate, special, different, sensitive -- all the words people use to describe someone who may or may not have mental problems.
Silvio Orlando's character, Michele Casali, dotes on his daughter in a vain effort to shore up her confidence. Right from the start, the relationship is moving -- his doomed efforts to save this girl really get to you.
Again I won't say anything more about the plot -- no spoiler alert here! (THOUGH, if you understand Italian very well and you don't want to know too much, you may want to only watch the beginning of the trailer).
But let me add a few other key details. The movie is the work of famed Italian director Pupi Avati, whose other films include one of my favorites, "Il testimone dello sposo" (1998), which in English was called "The Best Man."
I definitely recommend this film. And in fact, when I saw this film along with "Alza La Testa" (see previous review), I was sure the film festival was on the right track. I think people go to a film festival to see something different, something jarring perhaps, something profound, something that says something.
I'm going to try to tackle all of these films at once, given that Atlanta's Italian Film Festival has now been over for a week!
Let's start with "Alza La Testa."
I thought it was great, in large part because Sergio Castellitto, the star, is, ahem, Sergio Castellitto.
Interestingly, I received the official punteggio from the film festival and it received a 7.3, compared with a rating of 9.0, which went to "Italians," a forgettable comedy that was popular in Italy.
For American viewers who may not be familiar with Castellitto, I guess you could say he's like Al Pacino or Robert De Niro in their best roles. He's intense and high-energy, and he feels a lot -- too much.
In this film, he plays a former prize fighter who has raised his son with one idea and one idea only: that he will be a champion boxer. The son is game, and trains with his father every day, but as a 17-year-old (I'm guessing at his age), he also wants to be a regular kid, which strains his relationship with his father.
I won't say more about the plot, but the film takes place in Fiumicino and Castellito's character works in a ship-building yard, which as a background I found very interesting and compelling. It's not just the sunny Tuscan countryside: it's the real Italy that's just as interesting but a little less postcard-perfect.
So, in response to the AsianCajuns and other readers, rent "Alza La Testa"! It's worth it (though, no, I don't see it on Netflix).
Alternately, you can try to rent "Non Ti Muovere," another Castellitto vehicle which is available on Netflix. Just be prepared: that film is even heavier and sucker-punches you with an initial encounter that's the opposite of romantic.
My friend Nancy Greenleese produced a story for the American public radio show, The World, on winemakers in Italy who are defying the Mafia. They are part of a movement in Sicily to seize properties bought with proceeds from organized crime.
Atlanta's week-long Italian Film Festival, which concluded yesterday, included some amazing films!
Among the ones I liked were "Alza La Testa," with Sergio Castellito; "Il Papa' Di Giovanna," with Silvio Orlando and "Il Compleanno," with Alessandro Gassman.
I don't have time to write about the films today -- sto lavorando! -- but stay tuned because I want to share my thoughts with you and spread the gospel of Italian cinema.
I think there's hope yet!
And in any event, three cheers for the Italian Film Festival, a nonprofit that produces film festivals in Miami and Acapulco, and for Georgia State University, which was the festival's chief sponsor and host.
ATLANTA, GA. (WABE) - This week, a small but growing film festival will show Atlanta movie-goers a side of Italy they may have never seen. Here's a report on Atlanta's Fourth Annual Italian Film Festival. There are eight features in the festival, and none of them show the sunny Italian countryside that many Americans have seen in mainstream movies.
One film tells the story of a girl from Bologna who is institutionalized after killing her best friend. Another follows a television journalist as he investigates the death of his teenage son.
Georgia State University is the festival's main sponsor, and Richard Keatley is a professor of Italian.
"I think American viewers will get a much broader vision of Italy. You see Italy is a real country with real problems and real issues to confront," Keatley said.
This year's festival doubled the number of feature films from last year, and added short and documentary films. Keatley said the festival's growth is remarkable given the economic climate, and the obscure nature of some of the films.
"These are not films that are released in the U. S. for distribution. They've been shown at film festivals here and there but you can't find them on Netflix," Keatley said.
The Italian Film Festival will run through Sunday at Georgia State's Rialto Center. For more information, visit cinemaitaly.com.
The 4th Annual Atlanta Italian Film Festival starts Monday, March 29. The festival will kick off with light food and drink and the music of the Trevor Eich Jazz Ensemble.
The festival's first movie is "Italians," which will start at 7:30.
The 2009 film was directed by Giovanni Veronesi and stars Carlo Verdone and Sergio Castellitto.
All films will be screened at Georgia State University's Rialto Center for the Arts in downtown Atlanta. Here's the film lineup for the week:
Monday: Italians at 7:30 Tuesday: Cemento Armato at 7:30 Wednesday: Alza la Testa Thursday: Il papà di Giovanni Friday: La Casa sulle nuvole
Saturday: There are two films at 6 and 8 PM Mar Nero Il Compleanno
It's been a bit quiet here in Ciambellina land and I do apologize!
Such is the life of a freelance writer: lately I've been pretty busy writing stories for local publications and preparing radio scripts for the NPR affiliate here in Atlanta (radio pubblico).
Yes, I'm on the radio!
Here's a link to a story I wrote about streetcars (trams) in Savannah:
Però, lest you think I've forgotten about Italy and its wonderful language, I leave you with the photo above -- a lifesize sculpture of a horse sketched by Leonardo da Vinci.
I took this photo at the High Museum in Atlanta, which had a small exhibit on Leonardo this winter.
It's been a particularly rich time to eat with Il Nostro Inviato, who is a whiz in the kitchen.
In the past month or so, he's prepared homemade pasta, baccalà and pizza (he's also pickled beets, and baked an apple pie but I don't think that's Italian).
The latest entry: the dish you see above, linguine with littleneck clams and mussels. A later iteration of the dish included wild Georgia shrimp, which were truly a revelation.
He's thoroughly mastered the basics, by which I mean the foundations upon which to build countless dishes. The base sauce for this pasta dish, for example, is a rich combination of olive oil, garlic and peperoncino, sauteed to perfection.
I love the way you can see the steam rising up from the pot!
Add a solid Italian wine -- in our case, almost always red, even with seafood -- and a salad or more substantial second dish, and you have a great meal.
I will have more photos to share, and I hope they inspire you to cook Italian.
Vin santo, one of the liquid joys of Italy, can often be expensive here in the U.S., if you're able to find it at all.
And when we travel to Italy, we tend to load up on regular wine, not after-dinner drinks so we typically only have one bottle on hand.
What to do? Buy a bottle of what Il Nostro Inviato calls Spanish vin santo.
That would be sherry; we like the kind you see in the photo, Lustau Solera Riserva Deluxe Cream.
To be sure, it's not the same as vin santo.
And publications like the Times will often sniff at sweet sherry as something unsophisticated, but for the purposes of dipping the cantuccini cookies, which are a key part of the vin santo ritual, and enjoying an after-dinner drink (see photo below), it does the trick.
Trattoria I'Che C'è C'è is a small restaurant in Florence not far from where I used to live and surprise, surprise the chef and owner will be teaching a cooking class at the Cook's Warehouse here in Atlanta next month.
I say surprise, surprise because the restaurant is a real neighborhood place on a tiny street (Via de' Magalotti) that's not easy to find; you need to know the short, narrow streets near what was once the Etruscan center of the city.
In other words, who knew they had a little empire going?!
Anyway, I can vouch that the chef knows Tuscan cooking. The restaurant takes its name from a Tuscan expression that can be translated loosely as "Be happy with what you have."
(I always thought whenever I ate there that, given it's the name of a restaurant, the expression could also be translated as, "What we have is what you'll get," though with the proviso that Tuscan cooks can make something wonderful with whatever's on hand).
Here's the info:
What: "Authentic Italian Via Florence," featuring Chef Gino Noci When: Sat., Feb. 6, 12 p.m. Where: Decatur location (on Ponce, in downtown Decatur) Cost: $50