Me = I write, I edit, I speak Italian, I teach & I do some translation, too. Plus, I love these little sugar-dusted donuts that the Italians call ciambelle. Ciambelle = Chah-Mm-Bayl-Lay. Welcome & start reading!
Tuesday, September 01, 2026
Postcard from Montreal (2026)
Saturday, July 04, 2026
Re-discovering New Haven for CNN Travel
I got to visit New Haven on the company dime and I enjoyed every minute of it.
Now you can, too -- here's my story. It's part of a series we've been doing for three years on the best towns in America that fly under the radar and are often far from the major metropolitan areas.
New Haven is home to Yale -- which you can see in this photo I snapped -- and it's also one of the most walkable cities I've visited in the US.
Here's a note I scrawled in my journal:
New Haven is glorious! I don’t really say it happily but rather with a not-so-healthy dose of jealousy and what-if-ism! It would appear getting into Yale is a golden ticket in more ways than one. You get to live in a beautiful, vibrant city that’s walkable and architecturally alluring (in addition to studying at one of the finest universities in the world).
Before I forget: New Haven is for walkers. I walked so much.
So it was really unavoidable that I’d love it, I suppose.
Also, my translation, This Darkness Will Never End, was on the shelf at Atticus! YES!
Interesting fact: I gave all of my leftovers to men on New Haven Green who appeared to need food.
Moment of beauty after the visit: I bought Leo a small puzzle of the
painting The Wave at the Yale Art Gallery and he really liked it. He asked to
open it immediately and then instead of watching TV, he began to assemble it. When we
turned on “Father Ted” after a bit, he didn’t pay much attention to it,
preferring instead to painstakingly find pieces of boats that appear in the
painting.
(The Yale Art Gallery is quite nice and I didn’t even get to visit the sculpture garden – home to an Alexander Calder – because of the rain).
Anyway, please read my CNN story!Monday, June 01, 2026
The 20th anniversary of my blog!
Two decades ago, I sought a method to log the ways Italy had seduced me, and the activities I pursued so that the language of Dante would remain impressed in my mind. And that's how this blog was born. Early posts were about Italian meals Mike had made, rides in the Alfa and wines we bought.
It has evolved over time to become a public diary of my thoughts, my achievements, my passions (often involving Italy or Italian, but not always) and my commitment to fluency in the form of blogposts in Italian, among other activities (movie reviews of Italian films and of course endless ruminating about books, too!). Oh and a few mentions of the book-length translation I finally managed to publish (Did I mention it's called This Darkness Will Never End?!).
I'm going to commemorate the 20th anniversary with a series of posts. This is the first. And here I'm going to very simply revisit a few of the posts that have resonated the most with readers. I'd be thrilled if you read some of the posts, and I hope perhaps the blog inspires you to return to your own passions and hobbies with renewed vigor.
Posts I liked:
"Tiny Moments of Exquisite Beauty," or the travelogue from my 2025 visit to Italy: https://ciambellina.blogspot.com/2025/08/tiny-moments-of-exquisite-beauty-in.html
*About my fears of how the pandemic could permanently re-shape my life: https://ciambellina.blogspot.com/2021/05/what-ive-feared-about-post-pandemic-life.html
*On the reasons I need to hoard (or, my letter to Marie Kondo): https://ciambellina.blogspot.com/2017/12/dear-marie-kondo.html
*On the reference to Angelina Jolie in Roberto Saviano's book, Gomorra (note, it's in ITALIAN): https://ciambellina.blogspot.com/2008/06/gomorra-angelina-jolie.html
*The time Leo learned how to curse in Italian: https://ciambellina.blogspot.com/2022/08/italian-lessons.html
*What can you do with a mere 24 hours in Rome? Oh quite a bit
*When I want what I should not want (in Italy): https://ciambellina.blogspot.com/2022/08/the-boarding-doors-are-closing-jeanne.html
The joys of running -- even just short distances -- with Leo: https://ciambellina.blogspot.com/2023/03/running-very-little-very-often.html
Leonardo from Atlanta (not Vinci): https://ciambellina.blogspot.com/2022/10/the-little-artist-whose-mother-is.html
A Day in the Life of this American Man at Age 10 (Esquire article re-enactment): https://ciambellina.blogspot.com/2023/07/a-day-in-life-of-this-american-man-at.html
Posts about books:
My all-time favorite books, essays and short stories: https://ciambellina.blogspot.com/2024/07/literature-ive-loved-after-nyt-list.html
A book list for those looking to read the work of women Holocaust survivors: https://ciambellina.blogspot.com/2024/01/women-holocaust-survivors-reading-list.html
My book log for the year I read Le otto montagne by Paolo Cognetti and many other outstanding works: https://ciambellina.blogspot.com/2022/12/what-i-read-in-2022-what-i-plan-to-read.html
Women authors have often been overlooked in Italy (in ITALIAN): https://ciambellina.blogspot.com/2017/06/dove-sono-finite-le-scrittrici-italiane.html
*
Thanks as always for reading my blog.
The best gift anyone can give me is to care about Leo in some way.
But the second best? Read my work.
-30-
Wednesday, March 04, 2026
Nieman: Most Americans don’t pay for news & don’t think they need to
This isn't a blog about the profession that's helped me pay the bills. It's quite the opposite -- a blog to my passions, the ones I've nurtured before and after my day jobs, be they newspaper reporter, NPR station reporter or adjunct prof at my alma mater.
But it's not really an accident that I became a journalist, even if I was reluctant at first (and now earn my money in additional other ways like teaching). I grew up in a house where The New York Times was delivered every day to our doorstep -- and woe if it wasn't there on time, because my father would throw a fit! He liked to take the paper with him to the government lab where he worked so he could peruse the headlines over lunch, in the era long before smartphones (obviously).
When he returned home in the evening, he would remove the newspaper from his briefcase so that after dinner -- after my poor mother had slaved over the meal, and then cleaned up the kitchen, with little help from her wayward fourth daughter -- she could sit in her rocking chair in the living room to read the news while she smoked a cigarette (or two).
I can remember talking to her in that very spot about news articles and historical moments connected to the Watergate era, the Holocaust, the Revolutionary War and many other topics (she was a history buff).
My parents were so Catholic, it was painful! I once made the mistake of suggesting I might become a Protestant, and with a tone of voice that could freeze mighty rivers, my father replied icily, "You can do that but it's not the true path."
Yet the words my parents quoted the most issued not from the Holy Bible but rather the not-so-holy New York Times (which my mother insisted was anti-Catholic, if not simply anticlerical, though it did nothing to slow down her news consumption and I don't think she was right).
When I reported my one and only news feature story for The New York Times, my father clipped the article from the Business section and taped it up on the wall of his den in New Jersey ('one and only,' only because they've rejected subsequent pitches -- I'm always available for The Gray Lady when she needs me). I suspect he didn't really think I was a journalist until that moment.
My aunts and uncles on my father's side have also always read the newspaper. Some of them are also masters of the NYT crossword! (Such smart people from Bayonne, NJ!)
In other words, as far as I'm concerned, if The Times reports it, it's news, I should know about it and that's that.
I've raised Leo to read the newspaper as well (as I mentioned in a personal essay that I published -- pinch me! -- with The New York Times, he and I used to begin our days when he was a toddler by looking for photos of Pres. Obama in the newspaper). We now send the dog out to get the paper every morning, and over breakfast, Leo at least looks at the headlines. He also has had a subscription to The Week Junior for several years (thanks to my Aunt Marianne).
I know he will get his news from multiple sources -- he already listens to podcasts and adores "The Daily Show" (not only for the sexual references and frat-like tone, though that helps.) The important thing is that he knows the news, seeks out news reports and understands it's vital in a Democracy.
All of this to say, I am apoplectic about a recent report from Harvard's venerable journalism institute, Nieman Lab, about a study conducted by the Pew Research Center on the news consumption habits of Americans now.
As Pew puts it, Americans have a "complicated relationship" with news, with many surveyed saying they let news "find them," because of course, these days, we are bombarded with information via social media.
But as Nieman summarizes it in its headline, most Americans don't pay for news and don't think they need to. Of the people surveyed, an astonishing 83 percent said they do not spend money to receive news (through subscriptions, memberships or donations, according to Pew).
RED ALERT
RED ALERT
RED ALERT
In a Democracy, we must know what's happening. We must know what the government is up to. And we need people who are paid to pay attention to what's happening and what the government is up to.
It's helpful if the journalists have steady staff positions. It's not like producing a widget -- a reporter may have to spend hours upon hours talking to people or attending meetings or traveling far and wide to gather information in person before he or she is ready to publish an actual story. It could take days or even months.
And yes, a journalist may have to speak to people who do not want their names published in order to find out what's really happening.
We know from Watergate, the Iran-Contra affair, and of course the wicked Epstein file scandal that the government sometimes takes steps to hide information.
I've tried to avoid asking people to spend money on my behalf -- even with my Edith Bruck translation, I gave my author copies to the people closest to me because I didn't want to burden them by asking them to buy the book (now I'm just bugging them to write a review on Amazon).
But I'm asking you as an American to support a news organization. Not necessarily CNN, my news organization, but any news organization that provides solid, original reporting.
It could even be a Substack -- Roger Sollenberger is doing solid reporting on the Epstein files.
Journalism has to be a paid activity that people seek out for work and we news consumers have to pay for it. The advertising model for newspapers has collapsed. The work that good newspapers do, however, still needs to be underwritten, supported, discussed and valued.
When you turn on CNN to see what's happening in Iran, the people explaining and delivering the news earn a good salary so that they can tell you the latest developments accurately. They cannot do a good job if they are not paid enough to do so -- if they have to take on second jobs or can only publish their work on a personal website after being laid off or if they cut corners because they are not paid enough to do careful reporting.
Other organizations worth your time and patronage:
The Philadelphia Inquirer
The Guardian
Sunday, February 22, 2026
Jeanne journals
I don't like it when the word 'journal' is used as a verb. Let's journal about this. OR: She spent the afternoon journaling...
It feels a bit like saying, 'I crochet' ... or ... 'I like
scrapbooking.' Or, 'Excuse me while I get ready for an afternoon of canning.'
(I know people enjoy these kinds of activities, but not me. Of course, for some
of these people, the idea of writing in a physical journal would probably cause
the same reaction).
But it's what I do -- a lot. I journal. In fact, I spend a
good deal of time writing in my journal, reading what I've written in my
journal or even simply admiring the physical appearance of my journals. What I
am doing, really, is gazing at a kind of security blanket the journal
represents -- when all goes awry, I can write it down in the journal. Or,
whenever I have a thought about something I want to do, I must do, I should do:
I can write it in my journal and the thought is preserved. Looking at a journal
from last year is a little like looking at my favorite sweater. I've also
found the journal to be not only a confidant who receives my inner thoughts but
also one who accompanies me on my life's journey. In other words, it’s often a
document of what I’ve achieved.
I mainly use my journals to write (as opposed to draw or log
information like the number of miles one has run) but I also attach ephemera to
some of the pages -- drawings by Leo, receipts from vacation stops,
post-it notes destined for posterity, et al -- so they sometimes actually do
have the air of scrapbooks. They capture a moment of my life. (I occasionally
post diary entries on this blog. I also occasionally write diary entries in Italian).
As I've mentioned here before, I do keep a digital journal
(an extensive one that’s composed of two dozen Word documents that span more
than a decade), but I have a 13-year-old, which means two things to me:
*I don't want him to see me hunched over a computer 24/7 or
constantly glancing at my phone, even if my purpose is to log a thought
*...And that's because: I want him to understand what I do
and if he can see me writing with a pen in my journal from across the room or
transcribing a translation into my journal or even stapling something onto a
page of the journal that I want to keep, he may be able to understand what his
writer-editor-translator-adjunct mom does for a living. (Maybe. Alternately, he
might just think I twirl my hair for a living.)
Sunday, January 11, 2026
What I'm Reading: The Art of X-Ray Reading
Writers are readers, right?
They have to be, and the author of the book, The Art of X-Ray Reading: How the Secrets of 25 Great Works of Literature Will Improve Your Writing, does an amazing job of showing the fruits we enjoy when we read very closely.
Roy Peter Clark examines work by James Joyce, William Butler Yeats, Zora Neale Hurston and Joan Didion, among others. Not summaries, not book reports but a deep examination of word choice, and how authors "create" meaning through the particular order of words.
Much of it is work I've read but perhaps not in this way or with the particular lens he employs. And besides, a short story like Joyce's "The Dead" is ripe for re-reading, savoring, deciphering, dissecting, all of which you'll find in the chapter dedicated to Joyce. As you can imagine, he examines the final lines of the story where words are repeated and he talks about the deft use of repetition here -- in other contexts, it could be something to avoid but the conscious re-use of particular words underscores the paralysis experienced by the protagonist, Gabriel Conroy.
In the back, Clark compiled a list of a long list of great sentences from a wide variety of works.
I actually read this book in 2025. I've been meaning to finish this post for a while but other commitments came first.
Before I conclude, let me say something about one section that I especially recommend: his analysis of the Yeats' poem, "The Second Coming." I've published the first stanza in another blogpost but it's worth reproducing it again in part, especially in light of the author's focus on the word gyre, which he says is an unusual word:
Turning and turning in the widening gyre//The falcon cannot hear the falconer;
Clark gets into the nitty gritty of the word's Greek origins, offers synonyms (vortex, maelstrom) and also notes it comes at the end of a sentence that begins with the repetition of a present participle -- unusual. A poem written to reflect a period of political turbulence, completely embodied in one word.
-30-
Monday, December 29, 2025
I eloped "with" Italy 30 years ago
How odd to conclude that among the loves of your life is an entire country, in addition to the real loved ones, like Leo.
I am, of course, talking about Italy, a country that for me is nothing less than a shaman, no safer than those Sirens who ensnared Odysseus, and more akin to a being that enthralls (enchants/bewitches) me than a landmass. Also: a twin who lives mainly in my mind but who nonetheless follows me wherever I go.
And it's been following me for a long time: 30 years ago this year, I left America to live in Italy.
Dates. Anniversaries. Milestones. The accumulation of years. I dwell on these notions a lot. But because I've been busy promoting This Darkness Will Never End, my first book-length translation, I haven't had a chance to reflect much on the fact that three decades ago this year, I left for Italy.
Thus began my expat life -- the years, for better or for worse, against which all the subsequent years would be judged.
Thirty years ago, I eloped to -- and with -- Italy. And 'eloped' is the right word because the transaction lacked the solid planning of a wedding. I escaped with my paramour and let all the naysayers (who wisely said, 'You don't have a job...') be damned. All I knew was that, following my graduation from Wesleyan, I'd secured through a friend a summer "job" as a tutor to a bunch of rich Romans whose children attended an American school in Rome. And then I would go on to Pisa where I would be the guest of a doctor whose cousin worked in my department at Wesleyan.
After that, who knew? Not I, but I didn't care. I only knew one thing: my days of living in one language were over. Once I'd tasted bilingual life, it was the only one for me. As I mentioned in a previous post, once you've heard and understood Italians speaking their native language, I don't think you can go back to the English-only world. I couldn't.
Before the year was out, I migrated to Florence, a city I'd circled warily. It's hard to believe this, but I was on Team Siena back then. I'd spent a semester in Siena as a student and found Florence dirty and chaotic whenever I visited.
But one Sunday, the doctor who was hosting me in Pisa had to work all day at her hospital in Florence and she invited me to come along. The city enchanted me! Perhaps because she dropped me off somewhere other than the dodgy train station or due to the quiet hum of a weekend but I can remember crossing one of the bridges that span the Arno and succumbing to the magic of Florence.
As I've said before, if my life were a novel, I might call my departure for Italy the “inciting incident.” It followed that semester abroad where I'd resolved to truly immerse myself in the culture, and being fluent in Italian became an obsession—a lonely one, since I often forced myself to forfeit outings with other Americans so I could instead practice Italian.
What's ironic: I’d struggled to learn the language in my freshman year of college, but once in Italy, nothing short of fluency would satisfy me. In an essay I wrote for The Millions, I noted that one of the first words I learned on the ground in Italy was the verb scherzare. "It means 'to joke' and is indispensable for following almost any conversation with Italians. During a trip I took to Sicily, a Palermo policeman warned me about strange men near the station by yanking on the skin below his eye with his finger, and uttering a single word, occhio, which simply means 'eye.' I was hooked," I wrote. Mastering Italian became a pursuit not unlike bedding men or getting drunk.
I had very little money when I lived in Italy, and no real career to speak of. In fact, when I returned to the States, I was at loose ends (since I hadn't been building a professional foundation, or so I thought). I can recall visiting the beach with my sister, who uttered an immortal line about my lack of a real job when I lived in Italy, which caused a bit of a stir between us at the time.
She wasn't wrong. But she may not have realized what Dad had intuited. Knowing not only that he was a world traveler but also that his library included books by many authors who made the most of their ex-pat years, I believe my father sent me off to Italy so that I could truly live, so that I could collect the kinds of experiences that fiction and other writing spring from.
It took me many years to get over leaving Italy. Perhaps because I moved from a medieval tower in the center of Florence to an apartment in a car-infested Atlanta suburb. I can recall crying in the car in Atlanta whenever we listened to Italian music (and forget watching Italian movies -- total sob fest).
Eventually I forced myself to develop interests in other countries, such as Mexico, which we visited quite a few times. I even allowed myself to study Spanish, although it felt as though I were betraying my true love, Italian.
And then when I'd finally moved on, I allowed myself after many years to return to Italy, only to discover that I still wanted what I shouldn't want: to live in two places and two languages, which is to say, live in Italy and the US. The compromise? I live in two languages by translating Italian literature.
The experience of living in Italy was so rich, it's as though everything that came after paled. Luckily, I became a mother and that feeling dissipated because the experience of being a mother is much more powerful than adoring a culture or way of life.
But the experience of living there continues to shape my life today (and the mementos that have proliferated throughout my house. It dominates what I read, and it spurred me to translate, and it influences where I choose to vacation (and my dreams for retirement, which I recently concluded should begin with a year's wandering through Italy).
And I continue to silently beg Italians to keep being Italian (especially as I note developments such as a Starbucks coffee location on Via del Corso in Florence. Ma dai! Non ci voleva).
So my dear Italy, I'm very happy we eloped all those years ago! I'll remain true to you until my dying day.
-30-
Sunday, December 28, 2025
For CNN Travel: why can't America have more piazzas?
Piazza Navona. Piazza Santo Spirito. Campo dei Fiori. Piazza Duomo (Milan). Just some of the piazzas I love.
And since I now work as a contract editor for CNN Travel, I recently published an article about how much Americans have come to love public squares in Europe -- in increasing numbers, too -- only to return home disappointed that most of our towns and cities don't have these wonderful outdoor communal living rooms.
My photo editor at CNN found a gorgeous photo of the epic piazza in Lucca that has the distinction of being one of the only fully-enclosed piazzas in Italy (fully-walled, in other words; you enter through arches/porticos, not a road) (click on the link for the story to see it). I'm using here a photo of Piazza San Carlo in Torino, which is also dazzling. I took it several years ago on a whirlwind, solo trip to Italy on the occasion of the Salone del Libro -- Italy's largest book fair.
You can read the story here:
https://www.cnn.com/2025/12/19/travel/europe-public-squares-american-development
Other CNN bylines:
You can also read an article I wrote for CNN Travel about the many Canadian travelers who are no longer visiting the US here.
-30-
Tuesday, December 09, 2025
Edith Bruck & My Year in Translation (2025)
It was the year of the milestone for me -- I published my first book-length translation, This Darkness Will Never End. I both love and hate to admit that I've wanted to translate a book since studying Italian at Wesleyan, which was a while ago, hence the hate. (I have a similar push-pull when asking people to buy the translation -- read 'til the end to see what I mean).
As a result of the work required to promote the book, my annual tallying up of creative pursuits is a bit thin, although in support of the translation, I also published two shorter translations online of work by Edith Bruck:
*An essay called, “My Alma Mater is Auschwitz,” (in World Literature Today, published on Jan. 27, 2025, in commemoration of International Holocaust Remembrance Day)
AND
*An excerpt of Ms. Bruck's 1974 novella, "Two Empty Rooms," in Jewish Currents.
As I staged readings for the translation around the Northeast (see pic of a book event in Connecticut) and taught a course at Wesleyan, I managed to spend very little time writing essays this year, although since my work at CNN has changed (I'm now working for CNN Travel), I did produce some travel writing, including an article that I wrote about the dearth of piazzas in the US and another about visiting the liberal enclave of Northampton, Massachusetts.
But I did blog, especially about Italy! You might like this post. Or perhaps you want to hear me drone on about the little keepsakes I insist on buying? Read this post.
And in addition to blogging about Italy, I also somehow wrote a blogpost in remembrance of Liz that readers found even though I didn't share it on social media. In fact, more people have read this post than any other post I've ever written in nearly 20 years of blogging. Perhaps there are lots of other translators or writers out there who only reach a milestone after the person who would have appreciated it the most has died and that's why so many people read it -- ? But maybe it's easy to explain: grief is our shared possession, the one club every single human being will join, wittingly or unwittingly.
It's worth mentioning one more bit of writing: I published my first obituary with CNN -- one that I had pitched to write for our pre-written obit file and which combined my dayjob with my after-hours work: Rose Girone, the oldest known Holocaust survivor died at age 113. I finished the pre-write not too long before she unfortunately left us.
I did little in the way of literary criticism but I managed to publish a review of a book by one of my favorite authors, Patrick Modiano, for one of my favorite newspapers, The Boston Globe.
What were you up to this year? What milestones did you reach or move toward?
One last question: As you contemplate gifts for Hanukkah and Christmas, will you consider giving someone you love This Darkness Will Never End?
I'm proud to have reached this milestone and I've found hard work is its own reward. But I believe in Edith Bruck, I believe in the powerful message of survival her work transmits and I believe we must know our history so my Christmas wish is to spread the word about this translation as far as it can go. Spreading the word, for better or for worse, means selling more translations (including ebooks!).
Yours in reading, Jeanne
-30-
Sunday, November 23, 2025
Why you should press 'record' on Thanksgiving (my Bos. Globe essay)
I'm reposting a version of an essay I wrote for The Boston Globe several years ago that contains some advice I still like to offer folks, especially at this time of year. It's an essay about the power of recording our loved ones' words, and the power specifically of recording my son's words and also those of my mother, in what was one of the last good recordings I made with her.
Be fair warned, though: "Sound gets inside of you -- it inhabits you. It can break your heart."
Here's the essay:
During a
weekend visit to New York last winter, I recorded my son’s impressions of the
city. I began by asking where we were. I thought he would simply say
“Manhattan” or “at the hotel,” but Leo, then 9, said, “We’re in a hotel in New
York City, in North America, on a planet known as Earth, in a galaxy known as
the Milky Way, in a universe known as the Universe.”
When I
became a mother in my late 30s, I wanted to do more than take photos or videos
of my son. I wanted to remember his speech development by preserving his
sounds. So I recorded him.
Jay
Allison, the founder of “The Moth Radio Hour,” once told me that humans relate
to sound in a way that’s distinct from other media.
“Sound
literally gets inside of you — it inhabits you,” Allison said. “It can break
your heart. That’s different from photos, which remain on the outside.”
I recorded Leo’s snores, his gurgles, his first words. Some recordings are filled with his guffawing as he watches TV. His belly laughs are a tonic.
Recording
has been a tradition in my family. My late father recorded conversations with
my sisters and me on a handheld tape deck. Piling into his den, we crowded
around his desk as he pressed the two large play and record buttons. Later, we
would listen back to the tape with glee.
Far too
late, I grasped the importance of recording my mother and father. If pure joy
compelled me to record Leo, pure dread inspired me to begin recording my
parents a few years ago. What would happen to their stories when they died?
Before
it was too late, I needed to piece together one bit of crucial family history
that had never been fully explained: What had happened when my mother’s younger
brother died in a car accident at age 18?
She
rarely mentioned him during my childhood, except to say that my grandparents
never recovered from the loss of their oldest son, whom everyone called Spike.
I only gleaned a few snippets about him during the adults’ cocktail hour at my
grandparents’ house: He had an outgoing personality and was a football star.
My
mother was 19 when he died. Now, in part because of my recordings, I see his
death, in 1957, as an event that has hovered over her entire adult life.
Recording
my mother’s words made sense for another reason: Video is for action, and her
action days are behind her. At the time of my last good recording, she was 83.
She sat down in her chair at the foot of the stairs, and, bathed in the glow of
a floor lamp, she lit a cigarette. She was game to talk about anything but the
present or recent past, which dementia had begun to scramble in her brain. More
or less housebound, she spent most days chain-smoking and dozing off, unsure of
the month or sometimes even the season.
Her
mental fog would soon force us to move her to a nursing home, but when I asked
about the circumstances of Spike’s accident, barely a second elapsed before she
began reciting a chronology of events. It was as if she was supplying answers
she’d had at the ready for decades.
The
accident had occurred during the summer. Spike was driving a convertible. A top
student, he’d been given the car as a graduation gift from my grandparents,
following his acceptance at the College of the Holy Cross in Worcester. He’d
been killed instantly when his car collided with an embankment and flipped
over.
The
funeral was held at his Catholic high school. “Oh God, thousands of people
came,” my mother told me. “Thousands.” It doesn’t matter that she’s likely
wrong about the number — it matters only that in her mind’s eye, legions of
people came to pay their respects to the luminous brother she’d lost.
It
wasn’t until months later, when I listened again to the recording, that I
discovered a moment I had overlooked. After the funeral, my mother told me,
they drove out to the cemetery, which was some distance away. At one point
during the muggy hour-long drive, the road curved, and my mother turned to look
behind her. And that’s when she glimpsed through the back windshield the
headlights of the dozens and dozens of cars following the hearse to her
brother’s final resting place.
More
than anything else, that image crystallized for me the tragic loss she’d borne
for 65 years.
Recording
affords us the ability to save not just our parents’ voices but their stories.
“People
would tell us, ‘I have a recording of my father’s voice, and it’s all I have
left,’” Allison told me. “It was an actual part of the person — it contained
his breath.”
In the
years to come, these recordings that contain my mother’s breath will remain
precious to me. And the little that I learned about Spike furnishes me with an
outline of the uncle I never knew and his role in my mother’s life.
This
holiday season, consider pressing “record” on your smartphone when you’re
around the table. The sounds of gathering — the voices, the stories, the
ambient clatter — will fill an audio time capsule you’ll cherish on some future
day when you’re longing in vain to hear a loved one’s voice.
You can also read the essay (with the full image of the wonderful photo they chose) on the Globe site:
Saturday, October 18, 2025
The coolest thing: praise for my essay “The Quiet Exhilaration of Learning Italian”
An academic in Italy read the essay I wrote for The Millions about learning to speak Italian and reposted it to LinkedIn with the most amazing comments!
She actually called it "un bellissimo articolo" -- a beautiful article!
I believe this is one of the few times I've read something in Italian that's commenting on my writing (outside of graduate school!):
Chi ama parlare, ma soprattutto vivere, una lingua riconoscerà subito questa sensazione: non è (solo) comunicare, ma anche acquisire una nuova identità e scoprire un altro modo di stare al mondo.
Translation: "Anyone who loves speaking but especially living (inside) another language will immediately recognize this sensation: it's not only communicating but also acquiring a new identity and discovering another way of being in the world."
How truly wonderful this is! Thank you, Gaia. Molto gentile!
Here's Gaia's post:
https://www.linkedin.com/feed/update/urn:li:activity:7358807293552971776/
-30-
Friday, September 05, 2025
What I never say (Liz)
I was thinking recently about my Edith Bruck translation and all of the public readings I’d completed when suddenly I realized I'd only once said aloud something I'm constantly thinking, albeit in such a subtle, subliminal kind of way that it almost transforms thinking into unthinking:
I wish Liz were alive to hear about the translation
and the readings.
It’s obvious and with people we know well, we never have to say
the obvious. Everyone I know is aware she died two years ago on Sept. 6, 2023, at the age of 54, after a lifetime of illness.
But as wonderful as all of the readings have been and as
meaningful as it’s been to meet friends and family throughout this mini
book-tour, there’s still no denying that my librarian sister who lived for words and loved books even more than I do would have enjoyed the
publication of my first book-length translation and the attendant promotional activities. And I would have enjoyed any pleasure she might have felt over the book (Where ‘enjoyed’ sounds so trite compared
to how truly kaleidoscopically awesome it would have been for me to share this moment with her).
She would have asked me 1,000 questions by phone and text and in person -- the deadlines, the reviews, the details about the readings I'd scheduled, the questions posed by the audience.
She would have fangirled it up when I told her Elena Ferrante’s translator (Ann Goldstein) attended the reading in New York.
She would have read the translation closely -- far closer than it would seem humanly possible (a reflection of HER dedication to literature, her intense curiosity about the written word -- not the merit of the translation). I like to think she would have appreciated, somewhat grimly, the title that I chose for the translation, which deviates from the original Italian: This Darkness Will Never End.
But wait, there’s more!
And I don’t just mean the profound sadness I feel over her death.
I don’t even mean the gaping hole she left – my partner-in-crime for all things
literary (and also wicked thoughts you shouldn't say aloud and anything that reflects the ongoing conversation siblings, if they're lucky, share over the course of their lives).
What I mean when I say there's more: if I, who write often and blog regularly and admit that I more or less still openly grieve the loss of my personal Holy Trinity (Mommy, Daddy, Liz) – if I do not say how much I miss my sister in this instance, how many other people are going around this world with a similar ache that's rarely revealed?
It’s like I'm taking a walk or having a conversation with a bee buzzing about my face.
This bee’s persistent buzzing could be
translated as, ‘I wish Liz were here,’ or, ‘I wish I could talk to Liz.'
OR, ‘I wish Liz could have heard the question the man at
Newtonville Books asked.’
Surely everyone is like this!
If love (or actually hope) is the thing with feathers, grief is the one with talons.
And it's no one's fault. We stay silent often because it's more convenient -- for us. There was a lot to say when I gave the readings in the Spring -- why say more?
Yet it’s like a song that gets lodged in your head after you
hear it on the radio one day.
Visually it would be quite obvious: in a movie, they would
show the character’s face, maybe close up, then there would be a closeup of the
thought visualized. Maybe in my case, an image of Liz as she was attached to
all the beeping buzzing bleating monitors in the hospital on Long Island before she died. Then
my face again, outwardly impassive. Then another shot of Liz, pale, jaundiced, with a temperature of 93, days before the end. Then a shot, maybe, of my sisters and me surrounding Liz on her deathbed after
the doctor said, “There’s no hope.” (This was after he’d let us hope in vain, but I digress).
As I write this, I am perfectly calm.
So’s everyone you know who carries around an ache of this kind (or another kind).
The guy I call a jerk during a traffic jam. The annoying
father on the sidelines at a soccer game. The local official who makes a decision I disagree with (I don’t mean anyone specifically).
The inner landscape of each of these people could be exactly
like my own.
Now I stand at the podium of the conference room at my
public library.
Now I begin to say how wonderful it is to read at a library.
Now I say my sister was a librarian.
Now I say how much she would have enjoyed this talk with a smile on my face.
Now I continue with my remarks about the translation and appear perfectly happy to read from it because I am, despite being stuck on a channel of grief (because really and truly, how is it possible this translation was published only after its biggest supporter had died?)
Now I walk out of the library and talk with friends.
Now I go home and eat dinner.
And unless I am an aberration, everyone we know older than,
say, 30 years of age, is the same way.
(The percentage of those older than 50 who might feel this way? 500 percent.)
The United States of Grief. The North Atlantic Treaty Organization of the Bereaved. The United Nations of Sorrow.
Or simply what I never say.
And maybe also what YOU never say. All of our dead, all of our regrets, all that's gone. Weighing on us like a millstone and all you can hear is silence.
-30-
Thursday, September 04, 2025
Liz Bonner, Feb. 16, 1969 - Sept. 6, 2023
Eulogy for Liz. Sept. 9, 2023.
I’d like to first of all thank you for coming – by coming, you tell me that you cared about Liz, and I’d like to thank you for that, too.
I am speaking today on behalf of my
mother, who is unfortunately not well enough to be here, and my sisters, Trish and Denise, and their families. I also speak, in a
way, on behalf of my father who left us just shy of two years ago and who never
lost hope for Liz.
We are heartbroken by this loss but
soothed at least a bit knowing she is no longer suffering – after so many
trying years.
I am the youngest in my family so
growing up, Liz was very much my big sister. But at some point, any authority
she lorded over me morphed into a friendship that was one of the deepest bonds
I’ve had the privilege of knowing.
It was a bond marked by shared
interests, including a love of books. Now we’re a family of big readers – beginning with my parents to my sister, Trish, and down to the rest of us, but I think she loved books the
most. Good thing she was a librarian! A job she loved, and a job she excelled
at. And even after she could no longer work at the library, she continued to
practice library science with me and I suspect anyone she knew, recommending
books and fiendishly listening to books on tape.
And I will also let you in on a
secret I’ve been harboring. While she often said she found writing quite
difficult and simply couldn’t do it, I think she would have been the better
writer and it’s one of many facets of what could have been, had the hand dealt
to Liz been a little different – or if the society she was born into had been a
little different. One that wasn’t so punitive toward those with mental
struggles.
As she put it to me one day, “I really wish I could write; then my eccentricities
would be more acceptable.”
But about those books and other
shared interests – like public radio and music and the New Yorker magazine – we
corresponded about all of these things continuously for the past 25 years via
emails, letters, phone calls and eventually text messages.
And after a while, I began
squirreling away the best of these missives with a plan to write an essay about
Liz. So on this day dedicated to her memory, I will draw on the correspondence
to reflect a bit on Liz’s life and on her character, which was truly
unparalleled, in all senses.
One of the most memorable of these
communications – and perhaps my first inkling that the text message distilled
her particular character to its essence – came on the morning of Nov. 9, 2016.
Do you remember that morning? I’ll
give you a hint. It didn’t dawn sunny for Hillary Clinton.
Liz, who perhaps like many of
us was still new to texting, sent me a two-word text in ALL CAPS:
“NOT GOOD”
Capital N, capital O, capital T,
capital G, capital O, capital O, capital D
What more needed to be said?
My apologies if I am offending some in the room but anyone
who knew her would know she didn’t support Trump.
It reminded me of some of the quirky things she did as a
child. Like hiding her flute in the bushes because she didn’t want to practice
it.
She often sent texts that I learned to recognize as quotes
from the authors she loved.
Like the Somali poet Warsan Shire who wrote a poem excerpted
in The New Yorker with a line Liz especially liked, and which she sent via
text: “Daughter, be
stronger than the loneliness this world is going to present to you.”
Through the writers and books she favored, one can trace the
existential conflicts she’s always battled.
She loved the essays of David Sedaris, a humorist who
nonetheless has often written about family tragedy including the suicide of his
sister. Of an article about his father’s decline, Liz said:
“At first his honesty is jarring but on second thought brave and admirable in a way. It made me reflect on the darkness within my own soul. Maybe that is what good or honest writing can do: shine a light on the parts of ourselves that we keep hidden from the world and sometimes ourselves.”
She also loved music. Her bedroom in high school was
plastered with posters of Prince and the Revolution. Her favorite Prince song
was “Controversy,” which contains the line, “I wish there was no black and
white, I wish there were no rules.” Not because Liz was rebellious – or not
only -- but because the world often didn’t make ENOUGH space for someone like
her.
One day a few years ago, she wrote in a text, “Just heard on
the radio ‘Bring on the Night,’ so I think I have a reason to live.”
What else did Liz love?
*“The Brian Lehrer Show” on WNYC; it was often blaring in
the background when I would call her. Terry Gross, too, because she unwittingly
channeled Liz’s profound curiosity about other people through her questions.
*John Lennon – she always observed Dec. 8, the day he was gunned
down in 1980, as if it were a national holiday….
*The British comedian Ricky Gervais, whose bold,
unsentimental observations tickled her.
She also loved Steve Levinson, who was her boyfriend for
many years before he succumbed to cancer.
And she was devoted to our mother, who is now in a nursing
home in New Jersey. Whenever I visit her, I listen to her voicemails and there
are invariably many, many voicemails from Liz, achingly intent on reaching my
mother, on maintaining their connection.
She was devoted to Buddhism as well, which will be apparent
today at this service honoring Liz.
I am of course mainly focusing on the positive even though I
know very well her life was marked by so many negative moments, so many
negative diagnoses, so many people who couldn’t help her adequately…
Which is of course tragic for many reasons but to offer one:
We in the family casually considered her the smartest of the
four girls.
Unfortunately, the chemicals in her brain were forever
unbalanced.
Liz spent a lot of her high school years in the hospital for
treatment for anorexia nervosa and was forced to leave college to go to a
psychiatric facility in New Jersey. They were unfortunately life-changing
experiences that left an enduring mark.
As she wrote in an email, five years ago, “The food can only
cover up a wound that refuses to heal.”
But food wasn’t her only medication – words were. And
connections to people.
She never took words for granted. She wrote to me about a
French novel she was reading in which, she wrote, “The narrator says that literature, of all
the art forms, can most reveal a person's soul.” And she asked, “So is the
writer bearing their soul because of some innate need to do it or are they
operating on more altruistic motivation to touch another's soul and try to
relieve their suffering through the power of connection?”
I probably don’t need to tell you that she herself was
READING the work of writers in the hopes someone would touch her soul through
words and relieve her suffering…
I’m not going to lie: there is no consolation in this death.
We sisters never lost currency with Liz, and she bombarded
us with questions.
In addition, she was eternally interested in all of her
nieces and nephews and always sought a closer bond with them. She was also
curious to the point of noseyness arguably about her brothers-in-law, who, coming from other families with different traditions, struck her as particularly
interesting and she longed to know them better.
The hole she leaves is immense. We worried about her health
for 40 years but I, for one, did not actually prepare for this moment because
it is truly unthinkable.
But I’d like to offer a palliative
to our collective grief.
I have learned in recent years of a
saying some people of the Jewish faith use when someone dies. It is an expression
that almost magically converts
grief into the pure joy of beloved memories:
“May her memory be a blessing.”
I will be leaning on this
word-formed lifesaver in the days and weeks and months to come and I say to
you:
May the memory of Liz be a blessing
to all of you.
Remember her and be filled with the
joy of having known her.
THANK YOU.
-30-
Monday, August 11, 2025
Taking the pulse of Firenze -- and my own
Dante considered Florence a den of snakes, and I can see why, but he also lamented his exile from this bejeweled city and I can absolutely see why -- years into my own (voluntary?) exile from Florence.
It’s truly beguiling as cities go -- not one you can write
off easily (though he and I have both tried!).
Beguiling describes its allures and also its current state,
mired as it is in overtourism -- but can we blame anyone for
wanting to visit this enchanting city I once called home?
(Not unlike the notion that Italy is familiar to me, I also
revel in saying that Florence is a city I once called home. Maybe how
native-born Manhattanites feel? Though that level of entitlement I could never
approach).
As I write, I’m sitting in a living room on Via della Vigna
Vecchia – not #1 but rather #12, and outside, from a tiny terrace, there’s an
up close-and-personal view of the tower in Palazzo Vecchio. At this moment, the
churches are chiming out 7 o’clock and I feel compelled to go out on the
terrace to hear the bells – like the world coming alive in surround sound.
We arrived on Monday, and as usual, I have professed my love
for Florence -- and spent time getting reacquainted with her -- by walking her
streets. That is the way for me to take the city’s pulse, and my own. Will you
grow weary of reading that only when I have prowled the streets for hours each
day do I feel as though I am truly visiting Florence? Speriamo no.
Denise posted on Facebook that she was at the Shore for her
birthday, and I had a serious case of FOMO.
And yet, while she was at the beach, I was meeting with my
one-time roommate, Irene, and her husband, and reveling in the joys of old
friendships. We chose to meet up at this ridiculously cool bar by the Sant’Ambrogio
market, where Mike and I found seats outside while we waited but when Irene
arrived, she said, “Well, have you seen the internal courtyard?” I had not and let’s
just say the nuns who once lived at the convent now converted into a bar had
some nice green space (would they have enjoyed the glass of Bolgheri we had?
Maybe).
Yesterday I found two books I’d been looking for at the Florence
branch of Il Libraccio: Vita immaginaria by Ginzburg and Lettera da
Francoforte by Edith Bruck (finally!). Who knows how many more books I’ll
try to schlep home? The quantity I’d like to buy is probably a number in the
low three figures.
I also shopped at my old market (in Italian, Il Mercato di
Sant’Ambrogio) yesterday. Still authentic, still wonderful, still selling
qualche etto di prosciutto (crudo, always crudo, for chrissakes) that I can’t
resist.
State of the city: positively infested with tourists,
and the main part of centro storico is now full of quickie snack stops for travelers (rather than residents), as
I wrote during an earlier trip. If back then, there were 15 snack stops (panini
shops, wine bars geared toward foreigners, convenience stores) in a half-mile,
now there are 40. And they've displaced local shops that served residents.
State of Leonardo (as he is known here, not far from
Vinci, home of the other Leonardo): Well, we saw my old friend, Chiara,
last night for a walk through centro & then dinner, which was lovely
until we said our goodbyes and Leo yelled at me, “Three hours of you talking in
Italian!” But what was nice: I suggested we go to a bookstore (so Chiara could
pick out a book for her upcoming vacation) but instead she said she wanted to find
Andremo in città, (i.e., the book I translated) which they didn’t have
(alas).
(Update: The state of Leonardo was quite good at the Ferrari store where we bought him a pricey shirt and also before in the mountains where he was surrounded by cats and dogs.)
I spend my days taking an inventory of what was and what is, especially since Mike insisted we rent a place on our old street (which is also around the corner from my last apartment in Florence).
My old tower of course is still there but now at the base, there’s yet another restaurant
for tourists (meanwhile our bread bakery not far away is long gone; oh the focaccia
you could get there!). At Vivoli, there’s a line out the door – not so
surprising, as even at 8:30 a.m., gelato is yummy (apparently) – but they’ve
also expanded and taken over the corner grocery Paola used to run. I guess no
one needs gorgonzola anymore.
Morning coffee with biscotti: enjoyed on the tiny terrace while the Torre di Arnolfo looks on (see above). The only cool respite in a city baked by the August sun.
My church is open most days and more gorgeous than I
remember (just a neighborhood church) plus the ‘Crazy Drycleaner’ (our
nickname, not the name of his shop) is still there – but the macellaria
(butcher) where we bought the Thanksgiving turkey one year is gone.
Wednesday, May 28, 2025
What women survivors can still teach us about the Holocaust
Edith Bruck says living with the memory of the Holocaust is akin to being eternally pregnant with a “demon-child conceived in Auschwitz.”
And during this year, when the world is marking both the 80th anniversary of the liberation of Auschwitz and 80 years since the end of World War II, Bruck’s words and the words of other women who survived the Holocaust are especially worthy of our attention.
Of the 245,000 survivors left worldwide, 61 percent are women, according to the Claims Conference, which administers German compensation for victims of the Nazis, and only by examining the testimony of women do we have a full picture of the Holocaust.
With such a milestone, much attention will be paid to the words of Primo Levi, Elie Wiesel and other men who after miraculously surviving the Holocaust told tales of their experiences. Understandably so; they were among the first to voice the horror of the concentration camps.
But I'm thinking of women like Bruck because after I began translating her 1962 short story collection, This Darkness Will Never End, I also researched women survivors and found their perspectives weren’t well-known.
Born in Hungary in 1931, Bruck moved to Italy in the 1950s and began writing in Italian. She remains a vital literary voice in Italy and is a frequent critic of Israeli Prime Minister Benjamin Netanyahu, even as she shudders at what Hamas has said about Jews.
To a woman like me, her urgent words about the monster festering inside -- which appear in a book called Signora Auschwitz that hasn’t been translated into English -- viscerally convey the horror of the Holocaust in a way few other things have.
In her book, Letter to My Mother, published in the US in 2006, Bruck describes arriving at Auschwitz at age 13, and being separated from her mother. Bruck painfully recalls that her mother let go of her hand and pushed her away from the line of people headed for immediate death. That last moment spent with her mother likely saved the author’s life – and it mirrors the fate of many women who were deported. They, rather than their husbands, were the ones shepherding children to the concentration camps and they were often forced to make difficult decisions like the one her mother made.
It made me wonder: What else can women survivors tell us?
A lot, as I learned during my research into Italian women survivors. They suffered the same persecution by the Nazis as the men who were deported -- and also pregnancies that had to be concealed and the fear of sexual assault. In fact, Levi believed women faced harsher conditions at Auschwitz than many men.
Through the eyes of women, the events of the Holocaust can take on a different cast. For example, few Americans are aware of the notorious women’s prison, Ravensbrück, but it’s the focus of two books by Lidia Beccaria Rolfi, neither of which have been translated. She was a political prisoner so she was spared the brutal discrimination faced by Jews, but she did risk being raped during the long postwar journey home, when she and other liberated prisoners sheltered in an abandoned concentration camp. Escorted by American GIs, Rolfi couldn’t circulate freely for fear of predatory soldiers. As Rolfi wrote, any kind of woman would do for a quick conquest by some soldiers, “even the skeletal ones, even the little girls.”
Other books by women that have been published in the US have fallen out of print, unable to dislodge or even complement better-known testimony by men. Or in some cases, the ideas of women survivors have been overlooked altogether.
Millions of American movie-goers, for example, are familiar with an idea from a story by Bruck where the barbaric reality of Nazi deportation is artfully concealed from a young boy. Prominent film historians (including Yale's Millicent Marcus) and Italian literature scholars believe that plot twist contributed to Roberto Benigni’s 1997 Oscar-winning film, “Life is Beautiful,” although it’s uncredited.
Women’s experiences, according to scholar Joan Ringelheim, “are rarely central to the presentation of a ‘typical’ Holocaust story.” And yet, as she wrote in a 1999 anthology published by Yale University Press, Women in the Holocaust, “Jewish women carried the burdens of sexual victimization, pregnancy, abortion, childbirth, killing of newborn babies in the camps to save the mothers, care of children, and many decisions about separation from children.”
Bruck’s story reminds me that new atrocities don’t supplant old ones. She doesn’t support what she called “an endless war against the Palestinians,” in an interview with the Italian online news site, Il Fatto Quotidiano. But nothing that happens today changes the fact that she was unnecessarily seized from her home in the Spring of 1944 and taken on a treacherous journey that ultimately left her parentless and without a homeland.
And of course, I think often of Anne Frank, whose diary was certainly not written by a man. The young Dutch girl’s story is known the world over. Less known is that when Bruck’s first book appeared in Italy, five years after The Diary of Anne Frank had been published, Italian critics deemed Bruck the kind of writer Anne would have become had she survived.
We’ll never know exactly what Anne endured before she died in a German concentration camp. And we already know what many men suffered at the hands of the Nazis. It’s time we listened to what women who survived have to say.
-30-



.jpg)








