“Stay Alive: Berlin, 1939-1945”

I write letters to the editor of The New York Times but only occasionally are they accepted. This one was not but I remain fascinated by the book at the heart of my letter:

To the editor of the New York Times Book Review,

In his review of Ian Buruma’s book, Stay Alive: Berlin, 1939-1945, Kevin Peraino says he wishes the author had “delved deeper.” 

I don’t doubt him but if Buruma manages to convey even a bit of the uncanny experience of surviving World War II, especially in Germany, that will satisfy me. 

I’ve heard about the war and ‘the Greatest Generation’ my whole life, but stupidly ignored its importance until I began translating the work of a Holocaust survivor (Edith Bruck). 

Her story is fairly typical but no less compelling because of that: At age 13, she was deported from her native Hungary by the Nazis, and, as she would write later, “lost everyone and everything.” After I translated that line, I decided I needed to permanently study the Holocaust and by extension World War II. 

I’m not related to anyone who fought in combat but still the era not only witnessed the greatest atrocity of the modern age but also shaped my parents, born just before the war, and continued to influence the world I was born into, three decades after the fighting stopped. I’ll never know enough so I keep reading, and Buruma’s book now goes on the to-be-read pile.

Regards,

Jeanne Bonner

“When You Listen to This Song: On Memory, Loss, and Writing” (Lola Lafon)

I've reviewed a short nonfiction book for World Literature Review called When You Listen to This Song: On Memory, Loss, and Writing, but the review won't appear until July and since I remain haunted by it, I'm jotting down a few thoughts here (I've reviewed books for WLT before, and the magazine also published a speech by Edith Bruck that I translated called, "My Alma Mater is Auschwitz").

It's a fascinating if somewhat slim exploration of the annex at the Anne Frank House in Amsterdam and behind-the-scenes details about Anne Frank’s life, diary, father, etc.

It raises lots of interesting questions about the image now attached to Anne and grapples with the topic in a very nuanced way, recognizing that the story of Anne Frank has long since ceased to be simply the tragic story of a girl whose life was cut short by barbarism. Author Lola Lafon writes, “How beloved she is, this young Jewish girl who is no longer."

Lafon wrote the book after sleeping in the annex at the Anne Frank House, not something just any visitor can do. (The annex is the hidden compartment where Anne and her family and another family lived, while trying to escape deportation).

As she prepares for the visit, she writes, “I will spend the night in this space where for 25 months eight people submitted themselves to silence, learning all the forms it could take, from whispers to muffled steps to total immobility.”

In preparation for reviewing this book (published by Yale University Press), I also read Ruth Franklin's The Many Lives of Anne Frank. Franklin writes, “Since it first appeared in the Netherlands more than 75 years ago, Anne – who, if she had survived the camps, would be nearly 100 years old – has become an icon.”

According to Franklin, the diary has sold 30 million copies and “is the most famous work of literature to arise from the Holocaust.” 

Like everyone else who's read the diary, I've had occasion to think about this poor little German girl whose life was cut short. But I've also had the opportunity to reflect on one particular aspect of her story: my author, Edith Bruck, was compared to Anne when her first book came out because it was published a few years after the diary was translated into Italian. Italian critics said Bruck was the kind of writer Anne could have become had she survived.

It’s an interesting comparison because Bruck, like all survivors including Elie Wiesel and Primo Levi, has written about what Anne could not: what happened in the Nazi concentration camps and life after liberation. Moreover, many women survivors have told their stories but they failed to make a deep impression and hence don’t enter into the widely-known public conception of the Holocaust. That wasn’t the fate of Anne Frank’s diary, first published in Dutch in 1947. 

A reader can feel as though she knows a lot about Anne Frank without knowing many, many details of her story. Indeed, there are stunning little tidbits about the Frank family that will leave you breathless. For example, while in hiding in a hidden compartment in the building that housed Anne’s father’s company, the family had to keep to a strict schedule of silence since not all the workers knew they were there. Starting at 8 a.m. each day, they could make no noise whatsoever. Then at 12:30, when the workers broke for lunch, those in hiding could use the bathroom, have a bite to eat or talk. At 1:30, they were back to a routine of no noise, no movement, no conversations. 

Born in 1974, Lafon is widely known in France as a feminist writer. She is the author of the novel, The Little Communist Who Never Smiled. This book was translated from the French by Lauren Elkin. It's a very smooth translation.  

Why read this book? The author addresses the age-old scourges of anti-Semitism, exploitation and historical amnesia but has found a new approach in what some have called “a sleepover with the dead.” 

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The 20th anniversary of my blog!

Two decades ago, I sought a method to log the ways Italy had seduced me, and the activities I pursued so that the language of Dante would remain impressed in my mind. And that's how this blog was born. Early posts were about Italian meals Mike had made, rides in the Alfa and wines we bought.

It has evolved over time to become a public diary of my thoughts, my achievements, my passions (often involving Italy or Italian, but not always) and my commitment to fluency in the form of blogposts in Italian, among other activities (movie reviews of Italian films and course endless ruminating about books, too!). Oh and a few mentions of the book-length translation I finally managed to publish (Did I mention it's called This Darkness Will Never End?!).

I'm going to commemorate the 20th anniversary with a series of posts. This is the first. And here I'm going to very simply revisit a few of the posts that have resonated the most with readers. I'd be thrilled if you read some of the posts, and I hope perhaps the blog inspires you to return to your own passions and hobbies with renewed vigor.

Posts I liked:

"Tiny Moments of Exquisite Beauty," or the travelogue from my 2025 visit to Italy: https://ciambellina.blogspot.com/2025/08/tiny-moments-of-exquisite-beauty-in.html

*Praise for the film that convinced me to study Italian and changed my life: https://ciambellina.blogspot.com/2024/03/an-oscar-winning-film-seen-on-whim.html

Posts readers liked:

*About my fears of how the pandemic could permanently re-shape my life: https://ciambellina.blogspot.com/2021/05/what-ive-feared-about-post-pandemic-life.html

*On the reasons I need to hoard (or, my letter to Marie Kondo): https://ciambellina.blogspot.com/2017/12/dear-marie-kondo.html

*On the reference to Angelina Jolie in Roberto Saviano's book, Gomorra (note, it's in ITALIAN): https://ciambellina.blogspot.com/2008/06/gomorra-angelina-jolie.html

Posts about travel and the glorious Italian language:

*The time Leo learned how to curse in Italian: https://ciambellina.blogspot.com/2022/08/italian-lessons.html

*What can you do with a mere 24 hours in Rome? Oh quite a bit

*When I want what I should not want (in Italy): https://ciambellina.blogspot.com/2022/08/the-boarding-doors-are-closing-jeanne.html

*How can Milan be this beautiful? https://ciambellina.blogspot.com/2020/07/from-archive-italian-diary-may-2017.html

Posts about Leo:

The joys of running -- even just short distances -- with Leo: https://ciambellina.blogspot.com/2023/03/running-very-little-very-often.html

Leonardo from Atlanta (not Vinci): https://ciambellina.blogspot.com/2022/10/the-little-artist-whose-mother-is.html

A Day in the Life of this American Man at Age 10 (Esquire article re-enactment): https://ciambellina.blogspot.com/2023/07/a-day-in-life-of-this-american-man-at.html

Posts about books:

My all-time favorite books, essays and short stories: https://ciambellina.blogspot.com/2024/07/literature-ive-loved-after-nyt-list.html

A book list for those looking to read the work of women Holocaust survivors: https://ciambellina.blogspot.com/2024/01/women-holocaust-survivors-reading-list.html

My book log for the year I read Le otto montagne by Paolo Cognetti and many other outstanding works: https://ciambellina.blogspot.com/2022/12/what-i-read-in-2022-what-i-plan-to-read.html

Women authors have often been overlooked in Italy (in ITALIAN): https://ciambellina.blogspot.com/2017/06/dove-sono-finite-le-scrittrici-italiane.html

*

Thanks as always for reading my blog. 

The best gift anyone can give me is to care about Leo in some way. 

But the second best? Read my work.

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Memories of the House of the Dead (Luciana Nissim Momogliano)

File under: What I'm reading

I read a very short book on the train to NYC in February by a woman who was deported with Primo Levi: Luciana Nissim Momogliano. 

It’s called Ricordi della casa dei morti. ["Memories of the house of the dead"]. A very insightful book! In the most difficult situation I can imagine, she managed to survive in the same way Primo Levi did: she was able to practice her profession – medicine – just as he worked as a chemist. But she was still starving, and she still observed atrocities. She says at one point that the head doctor in her barracks had to kill two children who were born in Auschwitz. Another semi-eyewitness account of this particular slice of the Holocaust but still not enough information for me [I'd like to read firsthand accounts of women who gave birth in the Nazi concentration camps. Do they exist?]

The book clarifies something I should have already understood: many Holocaust victims were gassed – thrown into the camera a gas – and then cremated. 

She also says when they received rations, the question was always: 'Do I keep some until tomorrow?' But she said any decision she made felt wrong -- because she was still starving.

She also was able to transfer to another concentration camp later in 1944 and that likely saved her as well. Her friend, Vanda Maestro, whom Primo Levi also wrote about, died after Luciana left for the other camp. 

I'm happy to say this is one more book from the canon I'm seeking to exhaust: books by women survivors of the Holocaust. Because women's experiences of the Shoah were different. It's something I first grasped when I read Edith Bruck's Andremo in città, and that revelation convinced me to translate the work (which, as you know, is called This Darkness Will Never End in my English translation). My life really changed once I met Edith Bruck!

Sidenote: I bought this book directly from Giuntina last summer during my visit to Florence. I had written to the editorial staff to say there were books of theirs that I couldn’t easily find so was there a bookshop onsite? There isn't but they said they would sell me the books directly so I went and happily spent more than I should have.

The author mentions that period of follia between July 1943 and September 1943 when Fascism appeared to be overthrown, only to have the Germans essentially invade Italy and re-impose Fascist rule. What a moment that must have been -- sheer joy followed by sheer terror and the anguish that descends when you realize the specter you thought you'd escape looms anew.

Nothing original to say but here I am: I'll simply have to read about World War II for the rest of my life. I'll never fully understand what our grandparents and parents lived through -- and none of mine were in combat! None of mine were Jewish, none of mine were deported or sent to a prisoner of war camp. And yet still: They lived through a period of immense sacrifice and tension, where the fate of the world hung in the balance. So I'm simply going to try to know as much about it as I can because its impact and scope shaped the world we're living in today.

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The Four Seasons Hotel in Florence

The boy whose Fiorentina soccer team shirt reads 'Nato Perfetto' ("born perfect") gets around. 

This is a photo of Leo, aged 5, in the park surrounding the absolutely stunning Four Seasons Hotel in Florence, close to Piazza D'Azeglio and not too far from the Accademia (home of the David statue).

Somehow this fancy-schmancy hotel has an exquisite private park to its name, but there's a coffee bar there so you can show up at the hotel and simply say you're visiting the cafe to gain entrance to this amazing park, which, as you can see, is adorned with sculpture.

(No one can be denied a coffee in Italy!)

We were staying with my old roommate whose current apartment is nearby so we were game to go.

Yet since the park was so beautiful and the hotel clearly for high rollers, the day that Leo and I arrived, I hesitated. Could it really be that simple? So when I asked a hotel employee if we could enter, the born-and-bred Florentine took one look at Leo's shirt, which featured the symbol and color of Florence's beloved soccer team, and he said, "Con quella maglietta lui può andare dove vuole." In that shirt, he can go wherever he wants!

It's absolutely worth a detour if you're visiting Florence -- Italy is full of hidden treasures, often in courtyards and concealed behind high stone walls. It's nice that this one is sort of within reach.

I was reminded of this hotel recently because one of my sisters will be visiting Florence in the Fall for a wedding so I looked up the rates.

Well, she is a bit of a high roller but the cost is King-of-England-level high rolling so she might just have to pass on this one! 

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What I bought at I AM Books in Boston (2026)

Last year, I gave a talk about my translation, This Darkness Will Never End, at the Italian bookstore in Boston. It was wonderful to speak about this short story collection that I'd lovingly translated while surrounded by Italian books.

So when I visited Boston this year, I made a beeline for the store. I AM Books is in the Italian North End of the city, and it's adorable.

What I like: there are Italian books there -- which may seem quite obvious but it's important to state because it's not easy to buy Italian literature in the US at a reasonable price, or at all. There aren't that many shops that stock titles in the original language -- Rizzoli in New York is one place. And I AM Books is another.

But logically, the shop also stocks Italian books in translation (a good reason to give a talk about a translation there). Many people who pass the store won't be fluent in Italian or studying the language but may want to discover Italian literature in translation. 

As you can see, the shop also stocks magazines, and boy do I like that. If your store sells La Settimana Enigmistica or Bell'Italia, I will most likely need to buy a copy of one or both of them. And Mike bought a cooking magazine!

While remaining a solid bookstore that sells books, I AM Books also has a lot of fine gift items that a shopper might want as she visits the North End of Boston and becomes immersed in the Italian quarter. I went a little crazy last year when I was there to give the talk, and bought a cookbook plus a book for Leo about Italian hand gestures and a book by Natalia Ginzburg and... 

Last but not least, the store manager is a lovely person! She took charge of my reading, and made the shop a cozy place to talk about this book that means so much to me.

So if you're visiting Boston, consider stopping by I AM Books. And if you read or study Italian, don't just consider it -- make a point of visiting the store. You won't be sorry!

I AM Books

124 Salem Street

Boston, Mass.

iambooksboston.com 

Book giveaway -- my translation turns one!

UPDATE -- yay New Jersey (see below): To celebrate the one-year anniversary of my translation, This Darkness Will Never End, I'd like to give away a copy of the book to an interested teacher or deserving student.

My translation was included in a literature course last year at a university in Ohio, and when I gave a talk there about Edith Bruck, it was a joy to behold watching the professor speak about the stories I'd translated with my whole heart.

Are you a college professor or a high school teacher? Do you teach courses (or a unit) on Holocaust/World War II literature or literature in translation? (Or do you know someone who might want to consider this book for a course adoption?)

The translation would make for an interesting companion piece to Elie Wiesel's Night. The course at Otterbein University in Ohio included Survival in Auschwitz (Primo Levi) and A Scrap of Time (Ida Fink).

Several stories in This Darkness Will Never End feature children or teens as protagonists so high school students might more easily relate to the work; the book is notable for the prominence of women and children in contrast to other well-known examples of Holocaust narrative.

Alternately, do you know a student who would appreciate these stories? Perhaps a history buff or an English major (current or future!).

You can leave a message here or send me a private message via my personal website to initiate contact:

https://www.jeannebonner.net/contact

UPDATE: A teacher in New Jersey is already teaching the translation to his students and requested an additional copy so that he can propose it to administrators for grade-wide adoption next year. WOW! Thank you, Sam. The translation is headed to you! (And eternal thanks to your students for writing a birthday card -- in Italian! -- to Edith)

While the book was published in 1962 in Italy, the stories take place before, during and after World War II. They are mainly set in a village in rural Hungary, where Edith was born in 1931. She was deported in 1944, but managed to survive Auschwitz (which she's called "the University of Evil") and a host of other concentration camps. She eventually made her way to Italy and since 1954, that's where she's lived and worked.

To provide a quick overview of the book, here’s a recording of a talk I gave about my translation, courtesy of the wonderful librarians in Northampton, Massachusetts (it includes a lot of biographical information and outtakes from my visit with Edith Bruck last summer in Rome).

The Jewish Book Council published an insightful review, which you can read here:

https://www.jewishbookcouncil.org/book/this-darkness-will-never-end

(You can also click on any of the links in this post for more information).

Happy book birthday to my little translation!

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'This Darkness Will Never End' turns one!

Once upon a time, I'd never heard of the phrase "book birthday." And now my translation, This Darkness Will Never End, is turning one. Happy book birthday to my little translation!

My life has changed since I began translating Edith Bruck’s work, and also in the year since my translation of her first short story collection was published. I've spent a lot of precious, joyful time talking to people about the woman who was describing herself when she wrote about a fictional girl in the short story, "Matzoh Bread," who was "the age I'd been when I lost everyone and everything." (Learn about my book giveaway here.)

I've gained a permanent side gig reading about World War II; at first, I devoured works by the other women authors who wrote about their experiences of deportation, and now almost anything pertaining to the war that gave birth to The Greatest Generation (I'm currently reading "The Longest Day," by Cornelius Ryan -- better late than never, right?).

We all have side tables and book shelves crammed with books we plan to read but I think This Darkness Will Never End, which brings Edith's seminal 1962 short story collection into the English-speaking world, is worthy of your time:

        Click here to buy from Amazon

        OR here to buy from Bookshop

And if you have a moment, you can write a review on Amazon. My sincere thanks to everyone who's done so already! And if you're on Goodreads, go ahead and shelve the book. After all, you've probably seen Roberto Benigni's film, "Life Is Beautiful," which was inspired in part by the title story of this book.

Also: are you in a book club? Here's a reading guide for the translation. I'd love for you to read the translation, and maybe you could also consider giving it as a gift.

If you’d like to read some of her other work, below you’ll find links to some of my translations of her fiction, nonfiction and poetry.

*My translation of a speech she gave called "My Alma Mater Is Auschwitz":

https://worldliteraturetoday.org/blog/essay/my-alma-mater-auschwitz-edith-bruck

*An excerpt of her second short story collection, Two Empty Rooms:

https://jewishcurrents.org/two-empty-rooms

*Translations of some of my favorite poems by Edith Bruck, including one in which she writes, "If there’s another life/I will be a yellow star/ To remind you once upon a time​/there was Auschwitz​":

https://www.asymptotejournal.com/poetry/edith-bruck-versi-vissuti/

One more thing: here’s a recording of a talk I gave about my translation, courtesy of the wonderful librarians in Northampton, Massachusetts (it includes a lot of biographical information and tidbits from my visit with Edith Bruck last summer in Rome).

I’ll close once again with one of my favorite lines from Edith’s work (which you can hear at the link to the American Scholar's podcast, "Read Me a Poem"):

Sometimes it takes so little

Almost nothing

A simple gesture

A glance;

As when in the Lager

They allowed you a potato

A turnip

A tattered glove

Life is beautiful in those moments

And human beings so very kind

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Giardino Bardini in Florence is delightful

You can thank my friend, Laurie, that this photo I took in one of the most beautiful places in Florence has finally made it onto the blog.

It's the Giardino Bardini on the other side of the Arno, a garden that's connected to the Boboli Gardens but which just might be superior (especially if you enjoy terraced gardens).

(Oh and it's a terraced garden that overlooks the city of Florence. Not too shabby!)

I visited it for the first time during a vacation long after I'd left Florence. In fact, I'm not sure it was open to the public when I was an ex-pat.

Everyone is going to Italy, it would seem, and friends and family are asking for recommendations. In the process of assembling ideas to share, I've discovered that many of the places I love most are not represented on the blog. I think it's because I treat the blog in somewhat the same way I treat stories I'm editing: they should be well-written and complete. (Although, yes, there are blogposts, especially from the early years, that were written off the cuff and don't hold up too well).

But I digress. The Bardini Gardens: yet another treasure on the Oltrarno side of Florence. Palazzo Pitti, Forte Belvedere, Santo Spirito, the Boboli Gardens, Piazzale Michelangelo and this terraced marvel. When I lived in Florence, I would often take walks through the Oltrarno, in part because I lived for about a year in an apartment on Via dei Serragli, one of the main roads in that part of the city.

When you venture over to that part of the city, you are physically close to the chaos of the centro storico but spiritually very far. And these gardens are packed with tiny little paths that are so gorgeous, you may feel a heart attack of happiness coming on. How could a place so beautiful exist outside of heaven? (Simple: it's Italy.)

There's a nice gift shop here, too. I don't recall touring the actual villa on the property and I'm not sure you can. What I am sure of: this is a beautiful place to spend an afternoon.

Last but not least, I believe there is a combination ticket that gives you access to both the Boboli Gardens and this property but it would be hard to do both in one morning or afternoon (I think we spent most of our visit at Bardini and then dashed through Boboli exhausted and haphazardly). If you had the time, I suppose you could visit one in the morning, break for lunch and then return to the other in the afternoon (and if you did, I would of course recommend Trattoria Casalinga off of Piazza Santo Spirito for lunch, although there are several other old-school trattorias in the Oltrarno that would be worth your time).

So, Laurie, and other friends, please enjoy this post and hopefully you'll also enjoy this gorgeous Florentine garden!

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'This Darkness Will Never End' is 'powerful,' @Assoc. of Jewish Libraries

A reviewer writing in the newsletter of the Association of Jewish Libraries highly recommends my translation, This Darkness Will Never End, calling the work an "outstanding book."

Michlean Lowy Amir, who retired from the United States Holocaust Memorial Museum, expresses amazement that it's taken so long for these "powerful stories" to be published in English, and I agree!

She also writes, "This title is highly recommended for every Jewish library and to all other libraries with Holocaust materials."

She notes that the work foregrounds the voices of women and children, which of course is an essential and notable aspect of the stories, and of Edith Bruck's perspective as a Holocaust survivor.

One wonderful outcome of reading reviews of the translation is discovering the vantage point of reviewers, which can serve to illuminate a particular aspect of the translation.

I'm somewhat used to the lag that can occur between the publication date of the original foreign language work and the publication date of the translation in English. Perhaps this is especially so because I've focused on overlooked works by Italian women writers. Many of their works languish for years and decades before an Anglophone publisher shows them some love!

But it makes an impression to see her mention the original publication date -- 1962 -- right next to the publication date of my translation -- 2025. Wow! That IS a long lag.

The review appears in the newsletter, which isn't available online, as far as I can see.

But that doesn't diminish my profound appreciation! Thanks to Michlean and the Association of Jewish Libraries for highlighting Edith's work.

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