Last month, I saw an Italian film and it's still living inside of it, or maybe I'm still living inside of it.
It features two lovable losers -- older men who have lost their factory jobs and roam their region of northern Italy looking for one more drink for the road until they meet a young architecture student.
In Italian, it's called "Le città di pianura," but in English, they dubbed it, "The Last One for the Road."
Watching films in a theater remains a treasured activity for me. Theaters are designed for the experience, of course, but what does that mean? It means you can truly travel somewhere else for two hours or so.
In the case of a foreign film, this is doubly the case. It's dark, and there are no distractions.
And of course, I've told the story here about wandering into Lincoln Plaza Cinemas in Manhattan to see an Italian film a week before leaving for Wesleyan -- and never looking back. Adopting Italian as my (second) language, my culture, my tribe.
He made the film such that we, too, go on a road trip -- we, too, have one more for the road. We identify with these two characters -- I did, and I am not a factory worker, I do not drink too much, I am not a man. The film examines friendship -- celebrates it, in fact.
Yes, I've fallen in love with a film about two alcoholics -- so odd! -- from Northern Italy who meet a young architecture student and find hope in the connection they forge with him.
Let me say that again: They find hope in the connection they forge with him.
Isn't that the way?
Sossai has said in interviews that he wanted to illuminate the profound impact of the 2008 economic crisis, and he absolutely does.
I've been thinking about the people left behind by both economic progress and economic disaster since I became a newspaper reporter more than 20 years ago.
The mill towns in North Georgia and South Carolina, now towns in name only.
The little boroughs in Pennsylvania who had their heyday when mules lugged barges down the canals.
But how do I convey the film is ENTERTAINING?
Heartbreaking, to be sure, but when it's over, you simply want it to start all over again.
THAT kind of heartbreaking.
Almost equally as good as the film is the soundtrack. The director said in an interview that the music was conceived to feel organic to the film, and of the main musician he said, “You have to have the feeling that he’s there with you and he’s half drunk and he’s playing the guitar, maybe sitting in the car or in the other room, just outside the frame.”
I was swooning the day after we saw it and tried to read everything I could find about it, including:
https://brooklynrail.org/2026/05/film/francesco-sossai-the-last-one-for-the-road/
Note, I also wrote about the film in Italian because I needed to!
As I said before on this little baby blog that no one reads (and why would you read my public diary?), go to the movies. See a film you know nothing about. It might change your life! But at the very least, your day.
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