The Four Seasons Hotel in Florence

The boy whose Fiorentina soccer team shirt reads 'Nato Perfetto' ("born perfect") gets around. 

This is a photo of Leo, aged 5, in the park surrounding the absolutely stunning Four Seasons Hotel in Florence, close to Piazza D'Azeglio and not too far from the Accademia (home of the David statue).

Somehow this fancy-schmancy hotel has an exquisite private park to its name, but there's a coffee bar there so you can show up at the hotel and simply say you're visiting the cafe to gain entrance to this amazing park, which, as you can see, is adorned with sculpture.

(No one can be denied a coffee in Italy!)

We were staying with my old roommate whose current apartment is nearby so we were game to go.

Yet since the park was so beautiful and the hotel clearly for high rollers, the day that Leo and I arrived, I hesitated. Could it really be that simple? So when I asked a hotel employee if we could enter, the born-and-bred Florentine took one look at Leo's shirt, which featured the symbol and color of Florence's beloved soccer team, and he said, "Con quella maglietta lui può andare dove vuole." In that shirt, he can go wherever he wants!

It's absolutely worth a detour if you're visiting Florence -- Italy is full of hidden treasures, often in courtyards and concealed behind high stone walls. It's nice that this one is sort of within reach.

I was reminded of this hotel recently because one of my sisters will be visiting Florence in the Fall for a wedding so I looked up the rates.

Well, she is a bit of a high roller but the cost is King-of-England-level high rolling so she might just have to pass on this one! 

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Tiny moments of exquisite beauty in Italy

The apartment in Florence where we stayed this month during our trip to Italy had a top-floor terrace that stares directly at the Torre di Arnolfo, which defines the Palazzo Vecchio and is arguably the symbol of Florence. In the early morning hours as Leo and Mike (and the rest of the city) slept, I had my coffee while staring back at it. One morning, the silence surrounding me was so profound that the flapping of a bird's wing overhead was singularly audible. 

(Fun fact: the apartment is on the top floor -- 75 steps up!)

Each trip contains certain touchstones -- I revisit my old apartments, I retrace my steps along treasured walking routes, I prowl beloved bookstores and newsstands for all of the written material that I feel as though I need to live. I observe the small moments of exquisite beauty, something I believe my mother would have done (a habit she almost certainly instilled in me by modeling it).  

But each trip is also different, and engenders a specific set of preoccupations. 

At one point during our travels, I developed an obsession with the Roma-Viterbo train line, which is separate from Trenitalia. It's not entirely odd: our apartment in Rome overlooked one of the stations on the line. And when I am in Italy, I am immersed in "my beat," which I define as the ordinary aspects of Italian life, the parts of Italian life that an average Italian contends with. 

It reminded me of the PATH trains that link lower Manhattan to New Jersey inasmuch as it's both local and separate. They are like an alt subway line, which is slightly odd. If you were a traveler to NYC, you could mistake them for the actual subway system, no?  

When I poked my head inside the station I could see from the window, it was as old-school as it comes. The tracks were visible from the entranceway (the long train tunnel simply deadends into the lobby of the station) and on them sat old tram-like trains. There was a bustling coffee bar attached, of course, and I had my breakfast there one day, knowing that while it appeared scruffy, the volume of customers and the people who frequented it (real Italians) guaranteed a fine cappuccino and a light, fluffy ciambellina. Yet still, I am both irked by this random, standalone train line and also by my obsession with it!

More from the Rome Journal: You can buy calendars where each month is a photo of a young Italian priest. Yes, I, too, am wondering how on Earth I left Rome without one of those calendars! I mean, dai, per l'amor di Dio ... you cannot top that. I tried to explain it to Leo by saying it was driven by the dearth of vocations and that the notion of a slew of new young priests would give older Catholics such joy....

There’s an article in the current L’Espresso that is so funny: Italian politicians who years after they’ve left office continue to enjoy la scorta (police escort/secret service-level protection), which is to say they still jump the line (in traffic, at the airport, etc) when it’s convenient. The article cites a two-century-old line of poetry:

Io so’ io

E voi non siete un cazzo

Not a poem I've ever read. (From Wikipedia: La celebre frase che il Marchese rivolge a un gruppo di popolani («Mi dispiace, ma io so' io e voi non siete un cazzo!») è ripresa dal sonetto Li soprani der Monno vecchio di Giuseppe Gioachino Belli, che comincia così: «C'era una vorta un Re cche ddar palazzo / mannò ffora a li popoli st'editto: / "Io sò io, e vvoi nun zete un cazzo"».)

ENGLISH SUMMARY: The gist of the line of poetry, spoken by a nobleman to commoners, is roughly: I'm important (or I'm someone) and you're a nobody (said more colorfully in the Italian: 'You're not jack squat,' or, 'You're a fuckin' nobody.')

I was walking through Piazza della Signoria one evening only to find a concert in the loggia behind the Uffizi – a gorgeous soprano and a small ensemble. Leo didn’t want to linger but luckily the singer’s voice lingered, following me out of the piazza (I walked extra slow).

New 'addresses' emerge on each trip, often connected with coffee bars or bakeries that serve good ciambelle/ciambelline (who would care? Yes, yes I know. There's a reason few people read this blog!). I stopped at Caffe Le Logge by the post office one morning for a cappuccino. I was out on my morning walk and needed to refuel before venturing across the river. When I returned later to buy some pastries (which were quite good), the barman said, "Ri-buongiorno." I believe that's the first time I've ever had someone say that to me. Good morning -- again. (Not that you would care if you weren't obsessed with Italian and why should you be?!)

And while we're on the topic ... The trip was especially fruitful in one delicious way: I ate some of the best ciambelle I've ever had (none would qualify as a ciambellina, where -ina indicates little). Soft, doughy, enormous, and of course covered in sugar.

Taking the pulse of Firenze -- and my own

Dante considered Florence a den of snakes, and I can see why, but he also lamented his exile from this bejeweled city and I can absolutely see why -- years into my own (voluntary?) exile from Florence.

It’s truly beguiling as cities go -- not one you can write off easily (though he and I have both tried!).

Beguiling describes its allures and also its current state, mired as it is in overtourism -- but can we blame anyone for wanting to visit this enchanting city I once called home?

(Not unlike the notion that Italy is familiar to me, I also revel in saying that Florence is a city I once called home. Maybe how native-born Manhattanites feel? Though that level of entitlement I could never approach). 

As I write, I’m sitting in a living room on Via della Vigna Vecchia – not #1 but rather #12, and outside, from a tiny terrace, there’s an up close-and-personal view of the tower in Palazzo Vecchio. At this moment, the churches are chiming out 7 o’clock and I feel compelled to go out on the terrace to hear the bells – like the world coming alive in surround sound.

We arrived on Monday, and as usual, I have professed my love for Florence -- and spent time getting reacquainted with her -- by walking her streets. That is the way for me to take the city’s pulse, and my own. Will you grow weary of reading that only when I have prowled the streets for hours each day do I feel as though I am truly visiting Florence? Speriamo no.

Denise posted on Facebook that she was at the Shore for her birthday, and I had a serious case of FOMO.

And yet, while she was at the beach, I was meeting with my one-time roommate, Irene, and her husband, and reveling in the joys of old friendships. We chose to meet up at this ridiculously cool bar by the Sant’Ambrogio market, where Mike and I found seats outside while we waited but when Irene arrived, she said, “Well, have you seen the internal courtyard?” I had not and let’s just say the nuns who once lived at the convent now converted into a bar had some nice green space (would they have enjoyed the glass of Bolgheri we had? Maybe).

Yesterday I found two books I’d been looking for at the Florence branch of Il Libraccio: Vita immaginaria by Ginzburg and Lettera da Francoforte by Edith Bruck (finally!). Who knows how many more books I’ll try to schlep home? The quantity I’d like to buy is probably a number in the low three figures.

I also shopped at my old market (in Italian, Il Mercato di Sant’Ambrogio) yesterday. Still authentic, still wonderful, still selling qualche etto di prosciutto (crudo, always crudo, for chrissakes) that I can’t resist.

State of the city: positively infested with tourists, and the main part of centro storico is now full of quickie snack stops for travelers (rather than residents), as I wrote during an earlier trip. If back then, there were 15 snack stops (panini shops, wine bars geared toward foreigners, convenience stores) in a half-mile, now there are 40. And they've displaced local shops that served residents.

State of Leonardo (as he is known here, not far from Vinci, home of the other Leonardo): Well, we saw my old friend, Chiara, last night for a walk through centro & then dinner, which was lovely until we said our goodbyes and Leo yelled at me, “Three hours of you talking in Italian!” But what was nice: I suggested we go to a bookstore (so Chiara could pick out a book for her upcoming vacation) but instead she said she wanted to find Andremo in città, (i.e., the book I translated) which they didn’t have (alas).

(Update: The state of Leonardo was quite good at the Ferrari store where we bought him a pricey shirt and also before in the mountains where he was surrounded by cats and dogs.) 

I spend my days taking an inventory of what was and what is, especially since Mike insisted we rent a place on our old street (which is also around the corner from my last apartment in Florence). My old tower of course is still there but now at the base, there’s yet another restaurant for tourists (meanwhile our bread bakery not far away is long gone; oh the focaccia you could get there!). At Vivoli, there’s a line out the door – not so surprising, as even at 8:30 a.m., gelato is yummy (apparently) – but they’ve also expanded and taken over the corner grocery Paola used to run. I guess no one needs gorgonzola anymore.

Morning coffee with biscotti: enjoyed on the tiny terrace while the Torre di Arnolfo looks on (see above). The only cool respite in a city baked by the August sun.

My church is open most days and more gorgeous than I remember (just a neighborhood church) plus the ‘Crazy Drycleaner’ (our nickname, not the name of his shop) is still there – but the macellaria (butcher) where we bought the Thanksgiving turkey one year is gone.

Italy? Still stunning

Of all the ways I've aged, perhaps the one I like best is how easily I am satisfied at times. 

I've written before in this space about the 24 hours I spent in Rome a few years back, and how utterly wonderful they were, no matter the scant time I had to enjoy the Eternal City. Now I come again to say almost any amount of time I spend in Italy is a cure for a life-threatening disease I didn't know I had.

If you read nothing else, let me also say this: We arrived in Italy a week ago and as usual it is both breathtaking and familiar! How lucky can I be that Italy feels familiar? So very lucky indeed. Also: I don't consider myself one to have a bucket list but something that could top it for me? Biking on the ancient Appian Way in Rome.

Pinch me -- maybe my bike tire rolled over a cobblestone once tread on by Julius Caesar's chariot! (Because yes, there are sections of the road with the original cobblestones). You can visit some interesting ruins and of course the catacombs.

That's one of the special things we did in Rome. We also visited (again) the Borghese Gardens and saw the Ara Pacis for the first time. Perhaps most importantly, for me, I visited with "my author" Edith Bruck and she is well (for a 94-year-old woman). I spent three glorious hours with her! She has a new book coming out in the Fall, I am pleased to say. She is not very mobile but as long as she is near a pack of cigarettes, she's OK! (She smoked those tiny thin cigarettes my entire visit).

Also, for the record: Seeing SPQR on every manhole cover in Rome is still cool! (Also cool: knowing it means senatus populusque romanus; the Roman Senate and people)

Oh and you can buy a calendar that features the faces of fresh, young priests every month of the year!

We explored Piazza del Popolo and the area around it (including Via del Corso, site of the nightly passaggiata) quite a bit since we stayed on Via Flaminia, one block outside of the piazza (thus we had to pass through a gorgeous monumental gate each day to enter Piazza del Popolo). It was ground zero for all of the young people visiting Rome last week for the Jubilee youth summit, owing to the fact that one of the churches on the piazza is a pre-requisite for all pilgrims before heading to the Vatican.

Rome was hot, somewhat crowded and still the Eternal City.

Best food so far:

Extra large, extra doughy ciambella (Rome)

Crostini with rabbit ragu

Pinsa with mozzarella di bufala and pomodorini

Fiori di zucca fritti

Verdure fritte miste

My favorite chocolate bar: dark chocolate ('fondente') with whole hazelnuts

Best walks so far

-- Cross the bridge closest to Piazza del Popolo, walk along Tevere to the bridge by Piazza Navona, stumble into the piazza where the Pantheon is located, then Via della Scrofa, which becomes Via di Ripetta until you reach Piazza del Popolo (Rome)

-- Walk along Arno in the town of Onda (mountain town outside of Florence)

I’m in the mountains now – the mountains of Italy – and need I say, it is absolutely beautiful? We visited small, run-of-the-mill towns yesterday and my heart broke from the beauty. It was the Jeanne-small-town variety of beautiful: a rocky stream with multiple small waterfalls ran through the center of town and you could walk along the stream (the towns of Londa and Stia). You could stand on a bridge and look over at the stream, and ogle the buildings that line the stream (including, in Stia, a restaurant where we ate).

At one point, we walked through the town of Stia during lunch hour, and the sound of Italian radio filtered out of a door or a window, much to my delight!

We try to do something different each trip, and this trip we have chosen to stay a few nights at an agriturismo in the mountains east of Florence. Good decision! We have visited mountain towns before but I don’t recall our ever staying overnight at a farmhouse as we are now. So imagine you’re visiting Vermont but all the signage is in Italian, the quirky tavern keeper speaks Italian, the tourists you find at the secret swimming hole are Italian (or German – but of course). Oh and it's somewhat hot.

And then there’s a certain extremity to the matter – the roads we travel to reach this farmhouse are so narrow, no American could possibly consider them fit for two-way traffic. I have visited Vermont many times and probably there are a few roads like this but are the locals going 90 mph around each turn?

While right now I am using my laptop and I have been texting with Italian friends, I am largely offline, content to read my Natalia Ginzburg book (Tutti i nostri ieri) (I've tried to read this novel before but it never appealed to me as much as her other books) and articles in the copy of L’Espresso I bought in Rome.

Right now, as I write: One of the barnyard cats is meowing outside our kitchen window. The silence is so complete, it is loud!

So far in Italy: I have walked – run – swum – biked.

What else? Leo (known as "Leonardo" here) has begun to tease me while I’m talking on the phone here to Italian friends:

I say: “Si,si.” And then he says, “Si,si.”

I say: “Certo.” And then he says, “Certo.”

My mind is not totally 'bifurcated' yet between English and Italian but getting there. 

So to sum up: Italy is still marvelous! And hearing Italian is still marvelous. Wish you were here! Especially some of you -- and you know who you are.

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How Italy Ruined My Life (sort of -- for The Millions)

The way Italian plunges me into an intoxication of sound and thought is something I've wanted to write about for a long time.

The way the Italian language is like a person in my life, "a twin who accompanies me everywhere -- for better or for worse," the way knowing a foreign tongue "confers a special passport" or how my attempts to convince Florentines I had mastered their language -- la lingua di Dante -- devolved into nothing short of high school hazing ... yes I've wanted to explore this topic for so long.

And now I have! Thanks to my editor, Sophia, at The Millions.

You can read the essay here:

https://themillions.com/2023/11/the-quiet-exhilaration-of-reading-in-italian.html

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Guide for your trip to Florence -- buonviaggio!

When my aunt and uncle embarked on a trip to Florence last year (after an absence of 40 years!), I realized I have slightly skimped on travel tips here on Ciambellina or in some cases not organized the posts with tips well so I am going to try to unite everything here in one post. Everything you -- my friend, my Ciambellina reader, my cousin, my uncle -- need to know in order to have a special trip to Florence, Italy (where I still live in my heart). You can thank Aunt Maureen and Uncle Pat!

Before I get to specific tips and itineraries, let me mount my linguistic soap box: learn some Italian before you go. 

Not to be nice or cosmopolitan, and not to improve the American image abroad (magari!). 

But rather because: speaking Italian with an Italian is one of life's special pleasures.

The other major bits of advice:

*Walk as much as possible

*Visit the main produce markets

*Have a ciambella (and bring a few back for me).

OK, sermon over.

Where to go

Assuming you will tick off the major sites listed in your guide book or online (the Duomo, the Uffizi, l'Accademia, San Marco, Cappella Brancacci, etc.), I will move onto advice about other attractions in Florence.

One of the main recommendations I want to make is: Visit the Villa and Giardino Bardini. Most people visit Boboli Gardens, which is quite lovely but I think the Bardini is even better. The gardens are gorgeous [terraced in some parts] and the views stunning. When I was in Florence last summer, our ticket somehow got us entry to both, though I don't know how you would visit both in one day and see everything. 

(Note, they are both on the other side of the river).

Also on the other side of the river: Forte Belvedere and Piazzale Michelangelo. I recommend walking to both, but have your walking shoes handy. Both sights are gorgeous, with views equally as gorgeous. There's likely some important historical note someone else could tell you about.

There are also specific corners of the city that I love. I'll start with piazzas: 

Piazzas I love (to walk through, to stroll through, to gaze at, to sit in)

Piazza Santo Spirito (there's often a market on in this square)

Piazza del Carmine

Piazza dei Ciompi

Piazza della Repubblica (now with a carousel)

Piazza della Signoria

Quirky neighborhoods

Piazza Torquato Tasso: Real people live in this neighborhood! Locals gather to play soccer in the park at the center of the piazza and you could go over to Al Tranvai if you wanted authentic but decidedly unfussy Florentine food.

Piazza Santo Spirito: Still where you might find artisan workshops, real Florentines and flourishes of the everyday dolce vita, though to be honest, overtourism is swallowing up these things, even here.

Santa Croce (or one quirky aspect of the neighborhood): the area across from the piazza and the church was originally settled by Etruscans and it's one of the few places in the city where roads curve. There are some tiny, hidden piazzas and viuzze here that are fun to discover.

Speaking of which...

Where to eat

I mentioned Trattoria Cammillo (Borgo San Iacopo, #57R) in a previous post about restaurants in Florence because it's a place that I like (and Beyonce also liked it!).

Cibreo is also good -- there are actually multiple Cibreo storefronts in the same basic area, depending on your budget (Via Andrea del Verrocchio #8R). Here are some other recommendations:

https://ciambellina.blogspot.com/2015/05/where-to-eat-in-florence-update.html

Note, a lot of the places I like are on the other side of the river and two are in Piazza Santo Spirito: Trattoria Casalinga and Borgo Antico. The piazza is also quite lovely (see above) and the church was my father's favorite (designed by Brunelleschi).

I also love Ristorante Caffe Italiano on my old street, Via della Vigna Vecchia.

Where to eat and shop for dinner

I really like going to the public produce markets in Florence and the two main ones in centro are the Mercato di San Lorenzo (by the station; it is the best-known) and the Mercato Sant'Ambrogio; this last one is where I did my shopping when I was an ex-pat. It is east of Santa Croce -- and has fantastic cheese, sliced meats, veggies, etc. 

The San Lorenzo produce market -- the main market -- is now a wonderful place to dine and shop. You have to wade through the outdoor flea market surrounding the market to reach it but it's worth it.

Not just where to eat but what

People rave about pasta but here's a secret: Italian sandwiches are divine. Note: in the Old Country, they are nothing like a sub or a hero. Freshly made and reflective of all the Italian culinary acumen we've come to expect in pasta dishes, the Italian sandwich you can buy at a bar is something not to miss. Antico Noe is one of the best places for sandwiches, and not only because it is literally tucked inside a medieval arch a half-mile from Piazza Santa Croce (with a view of a medieval tower I once lived atop, but that's neither here nor there).

Other highlights:

Crostini -- as an appetizer. In the event these are new to you: little toasted slices of bread with toppings, including chicken pate, freshly-chopped tomatoes, mushrooms, etc.

Prosciutto crudo -- I believe it's part of Italy's culinary patrimony and I am not joking. Salty, silky, delicious. I don't care if you're a vegetarian -- my Italian friends certainly didn't when I pretended to be one in college and they kept urging me to eat prosciutto! (Ma dai!)

Cinghiale -- Wild boar. It's used often as the main ingredient of an amazing pasta dish that I suggest you order: pappardelle al cinghiale. It's available everywhere!

Porcini mushrooms -- if they are in season

Fiori di zucca (zucchini flowers) -- fried or stuff

Italian pastries -- Forget gelato. The real treats in Italy are pastries. Look for bars that say 'produzione propria' (that means they make their own pastries) or head to a pasticceria.

(Also grab a chocolate bar at the supermercato/alimentari if it has whole nocciole in it -- the big nut at the center of the baci candies. Why have one nocciola when you can have an entire chocolate bar full of them?)

Where to walk...

In addition to "everywhere," I also recommend walking to the other side of the river -- often. From there, as I've mentioned, you can walk to Forte Belvedere, Piazzale Michelangelo and the Bardini gardens.

Indeed some of the nicest walks are in the area around San Niccolò (the other side of the river) because they allow you to get outside the walls of the city and go up into the hills. One place you could try walking to is Forte Belvedere.

Where to have a coffee and step onto a page of A Room With A View:

There are old-school caffes that make your morning coffee feel royal and four of them are on Piazza della Repubblica, of which Caffe Gilli is probably the best (coffee/pastries/aperitivo etc); also the Rivoire on Piazza della Signoria will make you feel as though you're a wealthy landowner.

Where to drink wine

Everywhere! That's one of the things that makes Italian coffee bars special -- you can order a caffe latte in the morning and un bicchiere di vino rosso in the evening!

But I will give one recommendation of a place to drink: Rose's on Via del Parione; it's on one of the more beautiful streets in the center city. Drink outside at one of the tiny tables where you can watch fancy Florentines walk and bike by.

Look for a place called 'enoteca' to sample some good wine. I also love the hole-in-the wall (literally) kiosks where you stand on the street at a counter and order a glass of wine and maybe a sandwich.

Pastries

You'll find an entry for gelato below but as I mentioned, I think paste or pasticcini [pastries] are the unsung sweets of Italian cities (unsung, I should say, by Americans. Italians know). And really, by now, you should know my favorite: la ciambella or ciambellina (looks like a donut if a donut was baked in God's kitchen). Also good: un bombolone (similar but without the hole and typically filled with crema). 

Gelato

Vivoli (Via Isola delle Stinche) around the corner from our old apartment is very popular and also very good but so is Festival del Gelato right off of Piazza della Repubblica (down the block from the Duomo). Also good (and popular): Gelateria Carraia and Gelateria Santa Trinita (both are stationed on the other side of two consecutive bridges across the River, Oltrarno side).

Souvenirs

I still buy souvenirs and so should you! I favor paper goods because reading in Italian is my passion (and paper was an ancient Florentine art) so my suitcase is always loaded down with novels and magazines but the category also includes notepads, calendars and the like, which would appeal to anyone.

I find some of the best souvenirs can be had at the big bookstore on Piazza della Repubblica: Libreria Feltrinelli (there are also lots of kiosks right in front of the bookstore that may have something you like). In addition, I highly recommending visiting the Bialetti store for the classic Italian Moka coffee pot (and coffee cups and other accessories).

Lastly, I know some of you out there are real foodies so I recommend checking out a website published by a local Florentine food writer who knows her stuff (and has Catholic interests -- hugely into sushi, etc.):

https://www.ioamofirenze.it/

She recently published a guide on her blog to choosing a restaurant in Florence:

https://www.ioamofirenze.it/mi-consigli-un-ristorante/

Note, it's in Italian but all the addresses you see everywhere (on maps, for hotels, etc) are in Italian anyway and the names of restaurants are in Italian on the sides of buildings so if you really want to go somewhere, you'll figure it out. I suggest choosing something from her guide under the category 'Trattorie tipiche' ('local, traditional eateries'), with the name of the restaurant in bold at the start of each entry (then Google the name of the restaurant and figure out where it is). She also has a heading for fine dining (in English) and if you have the euros, go for it!

Buonviaggio!

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Indo ttuvai (Firenze!)

Quante volte avrò sentito questa domanda? Comunque sia il conteggio, non basta, ora che non abito più a Firenze.

Quando arrivai a Siena tanti anni fa per studiare -- la prima volta che venni in Italia -- l'accento toscano mi era difficile. Entrando nei negozi, facevo confusione subito, e mi chiedevo, 'Come mai non riesco a capire quello che dice il proprietario (o la commessa)?'

Ora so che la gente che incontravo nei negozi e i ristoranti e i bar di Siena parlava con un accento forte forte. Per una ragazza americana che stava in Italia per imparare la lingua, parlare con i Senesi a volte mi faceva sentire come se qualcuno mi avesse preso in giro, visto che avevo sempre sentito che in italiano si pronunciava ogni lettera a contrasto della mia madrelingua (inglese).

E invece no!

Spesso a Siena (e Firenze e Pisa e ...) non si pronuncia la C! Viene aspirata dopo l'A, per esempio, come tutti gli italiani sanno. E ci sono altre lettere che subiscono una modifica, tipo la Q e la T. 

Difficile quanto, che so, cinese? No -- ma quando arrivi in Italia per la prima volta dall'America con una conoscenza molto limitata della lingua, e nessuno ti dice, 'O guarda questi qui a Siena fanno un macello con la C!' ... qualche difficoltà si pone. 

Ormai ci sono abituata -- infatti aspiro la C anch'io! Come affetto per la regione che mi ha accolto. E quando leggo uno scritto come quello che ho inserito quassù, mi sento quasi coccolata perché posso ben immaginare una persona mentre dice, 'Indo ttuvai?' Con una voce che mi fa ricordare tanti amici fiorentini che parlono cosi.

Elena Ferrante scrisse, "Le lingue per me hanno un veleno secreto."

Nel mio caso, non si tratta proprio di veleno ma invece forse una specie di droga.

Se mi capita di dover pensare della mia vita, concludo che il periodo trascorso a Siena in cui sono diventata bilingue -- cioè, una persona che sa esprimersi non solamente in una lingua ma bensi due -- ha cambiato tutto. Il momento in cui la vita si divide in due -- prima, parlavo solamente inglese, e dopo invece ho capito che parlare solamente in inglese non mi avrebbe più bastato.

Chiudo con questa guida geniale al parlato fiorentino:

https://www.girovagandoioete.it/dialetto-fiorentino/

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Italy is Italy: Chiuso per ferie (Coco Lezzone) -- Fave photos/Italy trip

I often worry that Italy is no longer Italy (like maybe they need the Italian equivalent of 'Keep Austin Weird' bumper stickers everywhere). 

This is for many reasons, including globalization of industries and companies, but tourism, especially from America, is also one culprit, even as it bolsters the Italian economy.

Signs Italy isn't Italy to me: English is everywhere in Italy, often for no good reason. In other words, what at first was used to accommodate tourists has now spread to content/slogans/informational texts that should be in Italian alone.

(As I blogged earlier this year, Paul Auster wrote of his father's visit to Holland where he was disappointed to find everyone spoke English and hence "were denied their Dutchness." Arguably, that's a different situation, of course, because the Dutch were/are using English to communicate with Anglophone people whereas English in Italy is often used, as I said, to communicate with Italians!)

There are also alarming messages everywhere that give you an idea of what some brazen tourist has already tried and what Italian authorities have had to now attempt to rein in (we were visiting one monument where we saw a sign on a high railing in English only: "No climbing.").

I also know the American schedule (and perhaps the English schedule or Japanese schedule) has made its mark. My old friends at the factory where I taught English ( and which is owned by Americans) don't seem to have the choice anymore whether they work to live or live to work.

Not to mention, it's odd to see foreign tourists zooming around on the same kind of scooter we bought Leo for his birthday or in modified golf carts. This wasn't available when I first came to study. Theoretically, it could be progress.

But I always look for a bit of an anthropological strain to my Italian studies -- I want to see how Italians do and say things naturally, without any outside influence.

And they don't zoom around Dante's city in a golf cart. 

But then I see signs like this one at the Florentine restaurant Coco Lezzone (famous for its appearance in the film "I Laureati") and I think, "Italy is still Italy." Chiuso per ferie = closed for vacation. In this case, for an entire month.

I saw similar signs on the doors of other establishments -- in some cases, they had been posted in late July and the businesses wouldn't reopen until sometime in September. That's an Italian-style vacation. Hard to imagine any business in America, save a purely seasonal operation or a family-run ag coop, closing for more than two weeks IF AT ALL. 

Maybe Italy is still Italy.

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The photo I take every time I visit Florence (1966 flood)

A photo of one of the markers commemorating the heights the Arno River reached in 1966 when there was the terrible flood. 

"Qui arrivò l'acqua dell'Arno. Il 4 Nov. 1966."

(The waters of the Arno reached this point. Nov. 4, 1966.")

The markers are everywhere in center city Florence and in some cases, you really marvel at how high the river surged -- markers at the level of the second or third story of a building, for example.  

I was telling Leo about the markers while we walked around the city, and I said that people came from all over the world to help the Florentines recover, largely because the flood damaged countless works of art. To which he said, "Which ones?"

Yeah, Mommy, which ones?

Well, I didn't know but I've begun to research it a bit -- and there are many articles about the flood, especially since the 50th anniversary was in 2016. If you're curious, too, come along.

Take a look at this Art and Antiques piece about a Vasari work that has finally been completely restored.

Or this article from The Florentine about the damage the flood inflicted on the famed Ghiberti doors on the Baptistery in Piazza Duomo -- five of the ten panels were "ripped from their doors by the flood waters."

That was all before my time, of course. But the history of Florence, perhaps especially the modern history, which doesn't seem as remote as say the Medici era, ensnares me a bit like the personal histories of my parents. What shaped these monoliths in my life?

Good thing the kid is so curious -- I've learned all kinds of interesting things! I've also learned not to speak idly -- if I say works of art were destroyed, Leo is going to ask for specifics about which works of art I mean.

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The boarding doors are closing, Jeanne Bonner

It began maybe two days ago -- perhaps more. Pre-emptive sadness. The time in Florence (and in Italy) non basterebbe -- wouldn't be enough.

Odd to think I didn’t see it coming. But I try not to be greedy and I thought, in the case of Florence, a week sounded like plenty of time. Now I see it’s plenty of time to become situated, settled -- and receptive to a longer stay. 

People are without work, some children go to bed hungry, Covid has been raging and the political systems of so many democratic countries seem frighteningly fraught. So the notion that soon I will be heartsick over leaving this small Italian city that I called home years ago is a notion that should cause no one any harm. Not even me. And yet. 

This is the second to the last full day in Florence, and I’ve come to Leo’s room in our flat on Borgo Ognissanti so I can write with a view of green shutters and red tile rooves. 

I do not want to leave. 

I want instead to begin some research grant like I had at the New York Public Library (maybe on 'nostalgia tourism'?! I wrote about it for CNN after a trip to Turin -- just joking or magari! as the Italians would say). I want instead to enroll Leo in Italian lessons at the British Institute (which is also quite good for foreigners who want to learn Italian) or some other school as I had planned. I want instead to go back to Siena, seeing as we came close the other day with Mike’s friend, Dante, during our hike near Arezzo. 

Last night I went to meet Jacqui for a drink at one of the most delightful places I have ever seen – an outdoor bar in Oltrarno between two medieval gates to the city (one leads to Via Pisana, where the large supermarket is). While we spoke, I glanced up at one of the stone archways – rare that the backdrop for a drink is gorgeous, historic, monumental. (The alt title for this post was 'In Florence, picking up where I left off' -- gloriously true with Jacqui!).

Yesterday morning I must have walked five miles. I was out for two hours while the other two slept. I went along the Lungarno to San Niccolò (and through the old city gate, I gazed up at the steep, narrow road I once took to Forte Belvedere on previous monumental walks) and then across my other old bridge (by Santa Croce) then through the old Etruscan streets, to Piazza della Signoria (which was delightful, half-empty) where I realized maybe I could try to get tickets at the Accademia to see the David (the real David) (alas, no).

I will need to transcribe the streets I roamed because it was a monumental walk. Even I lost my bearings at one point (where the streets curve around the Duomo). I feel alive when I am walking (perhaps I've mentioned?). (Like my father before me). And my meanderings were fruitful in in one way: I snapped another picture of a pietra d’inciampo commemorating an Italian victim of the Shoah – in Via dei Pucci.

What I bought yesterday:

Una ciambellina (of course)

Friday’s edition of La Repubblica (which comes with the Venerdi mag)

3 packs of (Italian) Pokemon cards

 

What I bought the day before

Florentine paper goods -- including, of course, a journal

A book by Tabucchi that I wanted (Si sta facendo sempre più tardi)

*

Yesterday: the Boboli gardens. Yesterday: the new museum about the Italian language in Santa Maria Novella (only two rooms so far – one day it will be a proper museum – lots of mentions of Pietro Bembo -- too late to read his treatise on language?)

Also yesterday: realizing seriously the holiday is at a close. You will have to leave Italy, Jeanne Bonner (again). Last call. 

In fact, I am not even going to write much more here because Italy beckons me – from the window of the second bedroom of the Borgo Ognissanti flat where Leo never did actually sleep. I have opened the shutters and the windows, as I mentioned, and the sounds of Italy as it wakes up are filling the room. They are loud and in some ways unforgiving – how urgent all the cars and trucks sound, roaring back from the sleepy Sunday chiusura -- but since I want to be out there with them, they sound just fine. Plus I hear the distinctive sound of the saracinesche -- the shutters -- loudly opening as business for the day gets underway. 

Not to mention the purring of pigeons on the roof above me. 

Even the sound of pigeons is lovely right now. God help me!

Letter from Borgo Ognissanti

I see my life as divided in two: Before Italy and After Italy. As I wrote in my Bennington graduation lecture, "If my life were a novel, the central year dividing the action into 'the before' and 'the after' would be the year I left for Italy on a study abroad program."

Or perhaps you could phrase it this way: My life is divided into the period of monolingual me versus bilingual me, since once I discovered that I could think, speak and write in not one but two languages, there was no going back.

(You, of course, could also divide my life into Before Leo and During Leo, which may make you wonder, how would YOU divide your life?).

Earlier, I wrote that Jeanne on vacation is Jeanne walking while immersed in Italian. But I've speculated, what if all of a sudden Arkansas adopted Italian as its official state language? (Or South Jersey for that matter). Would it have the same ambience? Would it evoke the same gauzy invitation for swooning?

Let's stay on Terra Firma and have me strolling among Italians as they continue the work of Dante in their everyday conversations.

And especially among Florentines as they jabber away in their C-less Italian.

To be fair -- and to add some nuance to this geographical hagiography -- I've described Florentines in my attempts at fiction as a hostile high school clique that hazes newcomers but which you'd nonetheless cut yourself to join (And Senesi -- the people who live in Siena -- and Pisani are arguably snobbier; I've also heard Milanesi aren't the friendliest people).

And yet it is also true that knowing Italians -- knowing them enough that they whisk you off into the country, up a mountain to a rustic restaurant or over to a hidden beach studded with caves -- is like having the secret key to the hidden door (or the hidden key to the secret door). It makes a magical place -- Italy -- truly sparkle.

We had several occasions to insert the secret key in the hidden door; for example at Serre Bistrot, an Oltrarno restaurant you'll find in a private garden (Il Giardino Torrigiani) that heretofore I'd only seen on a map of Florence, even though it's quite close to my old apartment, which I shared with my friend, Irene, who took us to Serre Bistrot. It's described as a secret garden in the heart of Florence, and that's more or less true (specifically near Piazza Torquato Tasso, which you may or may not consider the heart of Florence). You won't stumble over it -- you have to look carefully at the map and seek out what Irene called "an internal road" that leads to the entrance.

We also took a hike! Mike's friend, Dante, took us up into the Pratomagno mountain range near Arezzo so we – or really Leo – could have a break from the painful heat of the cities we had been visiting. And it was delightful. Classic Italian gita – drove two hours (not a half hour, not un’oretta, but a full two hours), had a wonderful lunch al bosco in this rustic little eatery where Mike and I ate half the menu (at lunch!) and Dante had a quartino of wine (at lunch!), and then proceeded to take a short hike in the wonderfully breezy environs of Pratomagno. 

We hiked to a red, iron cross at the top of the crest of the mountain that had been built by ‘Francescani secolari’ in honor of St. Francis, who had spent a great deal of time nearby. The wind was truly delicious, the way Rahawa Haile described it in her essay about hiking, "Going It Alone."

And Leo ran up the mountain. Ran. Literally. 

He was way out ahead and he kept saying to me, “There’s a good view over here.”

There was an organized group of school-age kids and when they reached the summit as we were descending, we could hear them celebrating with shouts of joy. I kept looking back at them as they encircled the cross, thinking, 'This is perfection.'

(When you reach the summit, there's a stamp and an ink pad, which we duly used on my travel journal. Why do I act as though the journal page with the stamps is like a manuscript of Shakespeare? I was careful not to write on the back to preserve it).

Dante had picked us up near the station at 10:30; at around 3 p.m., when I was ready for a nap but casually mentioned that I hadn’t been to Siena in a while, he said, “Andiamo ora se vuoi!” (We can go now if you want). 

And then there's the Italian lesson, courtesy of Cristiano, which I wrote about earlier (maybe every Italian male would have begun the lesson with the word for cuckhold?!). Not to mention the evening we dined at the house of our friend Vicki (German by birth, Florentine by choice) and Leo had his first glass of Coca-cola (in Italy!) while I gazed out at the building's verdant courtyard, which I've described before as 'If 'Rear Window' were filmed in Italy.' 

We are lucky to have such adventures when we set foot back in Italy.

Plus, there are also always new adventures -- ways to stretch this relationship with Italy, because I feel at home in Italy, even when I am not with friends. So I was delighted to see we were staying near the French bookstore in Piazza Ognissanti, a place I'd never needed to patronize since I was plenty busy with Italian books when I lived in Florence. But now that I visit Montreal and in particular the neighborhood Petite Italie, I know that there are bilingual Italian-French books to be had and they are delightful (I have Erri De Luca's Non ora, non qui//Pas ici, pas maintenant in the bilingual edition, published under the Folio series by Gallimard).

Inside the darling little store, the proprietor juggled her infant while answering my questions about the bilingual editions and ringing me up (plus responding to the phone; at one point, I heard her say to an unseen caller, “Buongiorno, si, si ... ah Bonjour, oui nous l’avons….”).

She also patiently put up with the neighborhood lunatic who entered the store to harass her -- and judging by her cool-as-a-cucumber attitude, he comes in often. It reminded me of a Ligabue lyric that mentions "l'idiota del paese" -- the village idiot, whom everyone knew and everyone said hello to, even if he puzzled them.

You may not believe me, but I am leaving out 1,000 other tiny encounters and moments! But isn't that the way with Italy? Especially when you spend the first ~two hours of your day pounding the cobblestones, head up, eyes aglow (and not from the screen of your cellphone).

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I sing of ciambelline, tagliatelle & vino

Arma virumque cano ... the three words that launch Virgil's Aeneid (and also indirectly my study of Italian since studying the modern Romans means studying Italian) and which I memorized long ago in my high school Latin class translate as: "I sing of arms and the man..."

Nothing quite so lofty for me; rather, it is of ciambelline, tagliatelle, cappuccino (made right), biscotti, focaccia, polenta, prosciutto, cioccolato and vino that I sing.

I wouldn't even say I have eaten particularly good on this trip, compared to other visits or to the period when I spent months and years here. But still, let's be serious: I have eaten things fit for a president. Or maybe even the Pope. Because in Italy, non si scherza. No joking around (when it comes to food -- lots of joking around when it comes to everything else).

At night when I am drifting off to sleep or on a long car ride, I often think about what makes Italy different from America, and when it comes to food, I always think their penchant, their insistence, their belief in moderation is the key. As I walk the streets of Italy surrounded by the artful display windows of coffee bars and osterie and gelaterie, it can be hard to believe that Italians subscribe to moderation but oh, they do. I often tell people about the scenes I've witnessed at dinner parties where Italians fight over who will be FORCED to eat what's left of the pasta dish or the second course. Because if they believe they've had enough, they are loathe to have more than enough.

I don't know if I've really embraced moderation this trip -- my trips to Italy in the past decade have often consisted of double breakfasts (two ciambelline -- yes due!!! -- or a ciambellina followed by a yoghurt), something I would never have done when I lived here. But I know that anytime I've overdone it, I've felt ill at ease. And I think that's how Italians feel. They don't want to be "stuffed," as we would say in America. They want to satisfy their hunger and then move on.

OK, without further ado, here's a sampling of what I've eaten during this visit to Italy:

*Ciambelline: these are the donut-shaped pastries that are my favorite and which inspire a hunt each trip (each morning of each trip) to find the best. The hunt is especially keen since this is the second holiday in Florence where my old pasticceria/bar is closed for vacation. Also see name of blog.

*Bomboloni: Same basic stuff as a ciambellina (singular) but without the hole and typically filled with custard. If donuts came without the hole and were light and airy and fresh from the oven: they would be bomboloni.

*Focaccia: Salty, oily bread. So good it's made its way -- in bastardized form, typically -- to America.

*Polenta con i funghi: I don't eat polenta much outside of Italy but I do like it. And also good with mushrooms.

*Prosciutto crudo: the only kind of prosciutto I eat. I love its salty, silky texture. I had it in sandwiches and plain, as part of antipasti.

*Crostini: (as you probably know) little toast appetizers that in Tuscany frequently feature pate. Delicious! Especially in Italy. Not especially outside of Italy.

*Fiori di zucca (fritti): fried zucchini flowers. Had them in Florence at Antico Ristori dei Cambi near Borgo San Frediano. Squisiti (literally: exquisite).

*Panzanella (con pane croccante): Prepared by my friend Veronica, this "wet" salad features bread prominently, in addition to tomatoes and cucumbers.

*Polpo (had it twice, in fact): Octopus. I could be an Octopusarian.

*Pecorino con miele: Florentines (dare I say Italians?) like combining salty pecorino cheese & honey. Had it at Osteria Centopoveri.

*Cioccolato alle nocciole: Like a bacio candy, but a whole chocolate bar with WHOLE hazelnuts. Yes it exists, yes it rocks and in Italy the supermarket stocks plenty.

*Gelato, gusto: nocciola (and only nocciola): I don't always eat a lot of gelato but this trip I haven't resisted all that well. And why should I? Last I checked even Ben & Jerry's doesn't make hazelnut ice cream (plain -- it's already perfect, no need to add any zany ingredients).

Plus: a dozen cappuccini, and gallons of fizzy water.

And I still don't think it's enough. 

Buon appetito, y'all!

-30-

Italian trip prep? La Canzone del Sole

... Some moments are truly as stunning as they sound.

Imagine the scene: I am 20 years old, I am sitting on the cobblestones of Piazza del Campo in Siena one Spring afternoon and next to me are Italian student friends who are singing songs while strumming guitars.

One song heavy in the rotation is made up mainly of simple Italian words that even this wayward study abroad gal could understand: la canzone (the song) del (of the) sole (sun). La canzone del sole. The song of the sun.

I only had to hear it a few times before it became forever my favorite Italian song and one of the many small facets of Italian life -- one of the many small moments of a semester abroad -- that essentially wedded me to Italy for life (like being the Bride of Christ? Kinda).

There were many afternoons of music in piazza that Spring. And as we sprawled out in Siena's central square (the site of the famed summer horse races), I would ask Nando to play the song over and over, to the point where he had long since tired of it. But for me it conveyed the magic of understanding words in another language, and understanding a pop song, to boot. It's also an awesome love song! A song about faded love, about love's fickleness, about the ways we link ourselves to others -- and then unlink ourselves. 

Fast forward many years, and it's the perfect song to blast on my phone while I walk the dog around my suburban Connecticut neighborhood (Caramel is too rambunctious to risk using headphones -- I need to keep some part of all of my senses trained on her). The perfect song to prepare for my trip to Italy. Indeed the first part of the preparation for any return: immersing myself in memories.

-LYRICS-

Cosa vuol dir "sono una donna, ormai"?
Io non conosco quel sorriso sicuro che hai
Non so chi sei, non so più chi sei
Mi fai paura oramai, purtroppo 

(ENGLISH -- my impromptu translation -- abbi' pazienza, non me ne fido)

What's that mean, 'I'm a woman now'?

I don't know this cocksure smile you have 

I don't know who you are, I don't know you anymore 

Alas now you frighten me

(Sorry but they sound so much better in Italian) 

The artist, Lucio Battisti, remains one of my favorite Italian singers, and a legend among singer-songwriters in Italy (RAI Radio did a wonderful docu-podcast about him that you can find here).

I'm in overdrive preparing for the full immersion that will occur next week when I arrive in Italy -- I'm watching the Italian news on TV (and a soap opera that takes place in Naples), listening to an amazing podcast about overlooked Italian women writers (my specialty) and reading a novel by the stunning and inspiring Sardinian writer Michela Murgia. 

But nothing beats the perfect pop song, especially when it's a song that convinces you to commit your life to studying a foreign language and the incomparable, inimitable people who speak it.

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