Wednesday, March 24, 2021

For Dantedi & always


The Accademia della Crusca, the venerable institute based in Florence that studies, promulgates and safeguards the Italian language, is on its "A" game for Dantedi as it prepares for the holiday dedicated to Italy's greatest poet, Dante, on March 25. The institute makes phenomenal use of Twitter, tweeting out for example "parole di Dante" every day (parole = words).

What's even more engrossing is the series of lessons based on specific cantos. One of the institute's learned scholars, Giovanna Frosini, reads and provides comment on a particular canto (above). The text of the canto appears alongside the video, so it's really a teaching moment, but not only for Italians living in Italy but anyone who studies Italian. 

Hear her read the canto, and see the words simultaneously. A pretty perfect foreign language study scenario.

Not surprising given the special edition of Dantedi that's underway this year, what with the 700th anniversary of Dante's death. But still I like to give praise where praise is due, and the institute's general efforts, and notable embrace of modern technology to celebrate an ancient text are inspiring.

We'll never stop studying Dante, and luckily there are a lot of people on-hand, even from this great a distance from Florence, to help us out. Mille grazie agli studiosi dell'Accademia della Crusca!

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Tuesday, March 16, 2021

Pandemic journal, one year later

March 16, 2020

I have asked my students to keep a Coronavirus Journal, and so I will, too. We are all shell-shocked by the turn our lives are taking. Please tell me they will see writing in the journal as “therapeutic,” to quote something one student said the first night of the course, all the way back in January – when we met in an actual classroom on campus and began something together.

March 18, 2020

This will be a journal of clichés, this Coronavirus Journal. But that won’t mean the words aren’t sincere or the emotions keenly felt. It’s just everything we might have feared about stopping our lives and hiding inside is true. We’ve seen the Zombie Apocalypse and now we’re living it. Since I shrink from anyone whose path I cross while walking or jogging, the people I see might as well be zombies -- I am treating them as such.

Let’s take a visit to the Silver Lining Room. I go there a lot, coronavirus or not. I want to read or re-read classics this year, and something inspired me to take Dante off the shelf for the umpteenth time. So I began re-reading “Inferno” yesterday and hope to finish it in a few days (it can be slow-going when I toggle back and forth between the English and Italian editions).

Appropriate, no? Dante, in this time of plague-like living.

March 20, 2020

I’m calling this the Coronavirus Journal, but it’s also the journal of my father’s illness. I spoke with him yesterday and it was a replay of the conversation from the day before. Small grievances, no desire to read, the TV is “broken” but he knows it’s just some small quirk that if someone were there would be fixed instantly. I pine for the obsessively sharp, needling Daddy. I pine for some rebuke -- enough of this fog.

March 21, 2020

On Saturday, I texted Cristiano, Ilaria, Chiara, Irene and every other Italian friend I hadn’t already contacted. Irene said living under quarantine there was like being “seppellita a casa,” buried inside your house. And they ask, ‘What about in Connecticut?’ 

Today I go to learn about conducting a virtual lesson and setting up a virtual classroom. YIKES!

March 23, 2020

My coronavirus diary exists alongside my Daddy journal.

I spoke with him yesterday and it was not the same person I knew. It was like talking to a hybrid of Mommy and a very tired Daddy. He kept repeating certain key details of his blood transfusion – for instance, it took four hours. He told me there are good days and bad and the bad ones are when he wants to pull the blanket over his head. What was yesterday, I asked? A pull-the-blanket-over-your-head kind of day.

Thursday, March 11, 2021

Loneliness & loss in the works of Natalia Ginzburg

I love Natalia Ginzburg so I couldn't turn down a chance to write about her for the site Reading in Translation as part of a special online issue completely dedicated to one of the most important Italian writers of the 20th century. 

One of my favorite Italian books -- one of my favorite books, period -- is Lessico Famigliare, and I was even able to review, for the Kenyon Review, the most recent English translation of the book, Family Lexicon, published by NYRB in 2017. The special issue actually features an interview with the translator, Jenny McPhee! I give McPhee the highest praise I can give for her translation of LESSICO: I forgot it was a translation while I read it. That's how smoothly, fluidly it reads.

This time out, I was tasked with writing about two novellas I'd never read before: Family and Borghesia, translated by Beryl Stockman (and with an afterword by Eric Gudas). And what I loved about the assignment was it added to the nuanced portrait of Ginzburg I already carry around in my head. A pioneering woman writer who was nonetheless a traditional wife and mother. Someone who broadcast the interior lives of women at a time when they were completely overlooked and yet someone who made it sound as though she had to scribble lines for a book while stirring the sauce for the pasta.

This paradox, which I wrote about in my essay for Reading in Translation, extends to the depth of loss and loneliness lurking beneath Ginzburg's cheerful veneer. She was able to feed both instincts in lines like this, c/o Stockman's translation: “Pietro said that, in fact, he had come to a halt with his memoirs some while back. He only wanted to remember tranquil, harmless, light-hearted things.”

She gives us the line like it was some throwaway thought in a long conversation about other, more important topics, and the final part of this thought contains these words: light-hearted things. And yet the ache inherent in those lines! I ache just thinking about the ache. He'd given up writing his book about his life, this character, because -- sottointeso -- when he thought back over everything that had happened to him, there were too many painful moments. Too many moments that were the opposite of tranquil -- harmless -- lighthearted. Or at the very least, not tranquil, harmless or light-hearted enough.

Isn't that the way?

And I tip my hat to Ginzburg because without being lugubrious, without shouting from the rooftop the inanity of knowing we're all going to die and what's more, we don't know when or how, she's managed to telegraph just how insanely painful and difficult life on earth can be.

I believe that's reason enough to read Ginzburg. And if you do, too, read the essay here:

https://readingintranslation.com/2021/02/22/putting-a-brave-face-on-loneliness-and-loss-natalia-ginzburgs-family-and-borghesia/

And read every other essay in this special issue because our fearless leader and editor, Stiliana Milkova, recruited some heavy hitters, including McPhee, Minna Zallman Proctor and Lynne Sharon Schwartz (pinch me, my old Bennington MFA prof!).

Which is only fitting since Ginzburg was a heavy hitter. A heavy hitter, even though women writers in Italy continue to be overlooked. Even though when I taught a course called Italian Women Writers at the University of Connecticut, a grad student IN ITALIAN, a young guy (!), told me quite candidly he could not think of enough books by Italian women or women authors to make up a whole syllabus. I think he'll get his PhD sooner or later -- bless his heart! -- and yet he seems unaware of Elsa Morante, Grazia Deledda, Dacia Maraini, Sandra Petrignani, Anna Maria Ortese, Anna Banti, Elena Ferrante and of course close to my heart, Mariateresa Di Lascia, who wrote the masterpiece I have the privilege of translating: Passaggio in ombra (the privilege, I should note, even if there's no publisher as yet sharing/sponsoring/honoring the privilege).

All of this to say, you won't ever regret reading Natalia Ginzburg. While it won't always be tranquil, harmless or light-hearted, it will be engrossing and beautiful. The consolation that life -- and literature -- offers us.

Sunday, February 28, 2021

Gomorrah & Angelina Jolie (c/o the archives)

For the final day of my February blog-a-thon, I am a linking to a piece from the archives and one that I wrote in Italian ... tanto per cambiare.

When I first started blogging, I wrote fairly often in Italian, and I still think about what I might one day want to publish in Italian, beyond the blog. Probably something short.

As for this particular post, I'd looked back to see which posts had generated the most views and this was one of them.

It's a review of sorts of Roberto Saviano's nonfiction book, Gomorrah about the Neapolitan mafia, which many Americans will know from the TV series of the same name based on the book.

This section of the book, which takes place in Naples, oddly enough has a significant Angelina Jolie angle:

https://ciambellina.blogspot.com/2008/06/gomorra-angelina-jolie.html

Saturday, February 27, 2021

This one's for Brenda and Eddie (c/o the archives)

For the second to the last day of my-sharing-writing-every-day-in February jag, I've reposted for friends a piece I wrote after we visited Italy in 2018. 

It's been an interesting look-back at some of the topics I've covered here, and I have inspiration for new writing. Maybe you do, too?

Anyway, from the archives, you can find today's piece, which I posted to social media, here:

https://ciambellina.blogspot.com/2020/03/this-ones-for-brenda-and-eddie-or-post.html

Friday, February 26, 2021

His first step was right here

Lost diary entry archive (Atlanta)

I was tidying Leo’s room last night and a vision appeared in my mind, a quick cloud of remember-when ... where I was entering Leo’s room in the middle of the night and comforting him because he was crying. And I realized – or really the point was just crystalized – that if we move (WHEN we move), we will move away from the rooms where those moments happened. 

We will leave behind the love seat where I nursed Leo every night for a year, or at the very least the room where the love seat now sits. And so the love seat -- even in a new house -- will be shorn of its context, its purpose. Shoot, it might even end up neglected in a basement. And oh mercy, mercy mercy me, that is so wrong. I might even be willing to stay here if I begin to be convinced that leaving Atlanta will somehow alter the legacy or my memory of the most important year of my life, the most pivotal, the most blessed.

So many memories – I mean, should I go around and take pictures of the rooms?! Take a picture, say, of the spot on the carpet – it's by his crib, mind you – where he took his first tentative step. 

Maybe.

(Editor's note: We moved. And the moment of where he took his first step lives on only in my mind -- and this blog post. The love seat? It's in the sun room in the new house. Shorn of its context, just like I thought. I guess that's life. But for a memoirist like me, whoa it's a blow to the head. Remembrance of things past, ahhh).

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Thursday, February 25, 2021

Texts I sent in 2020

I am a committed diarist (and yes, diarist is a word. Apparently). But the raw deal? What I really think, what I really do -- what *you* really think and do -- it's all in the texts. 

The year 2020 in texts

“Supplies needed for the weekend: please get Mommy wine and cigarettes.”

“Complicated scenario – I’ll explain later.”

“When you say ‘another ambiguous death,’ who do you mean? I’m scanning the news right now.”

“He was vivid one night, vigorous even – but delusional. Where does that vigor go during the day?”

“Biden is being tested for coronavirus, too.”

“The aide says she fell asleep last week while smoking and wound up burning the sofa.”

“One or two packs should be left.”

"Va bene ma West Virginia? Ma come mai?! Va be' me lo racconti dopo."

“Please no weird texts tonight. It wasn’t personal.”

“She tells me watching Sophie attend kindergarten via computer is the saddest thing she’s ever seen.”

“Those items will be provided as is. No protests, please, and no nit-picking.”

"Driving home from NJ now and I just stopped for gas so I have to tell you the radio just played, ‘Train in Vain,’ I promise – you were here with me."

"Sinceramente mi sono emozionata molto."

“Don’t feel obliged to say yes.”

“Where are you hurting?”

“I don’t have $1,000 in cash on me.”

“Leo asked me this question the other day: Mommy, what do you like better, addition or subtraction?”

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(Photo: a favorite magnet. Inscription translation: "I like Heaven for the climate and Hell for the company.")

Wednesday, February 24, 2021

Postcard from Torino

Torino was a city that appeared at the margins of my Italian brain. I knew it as the city that had birthed some of my favorite writers (Primo Levi, etc) and I knew it as a city that hosted the Olympics. Me? I was fiorentina all the way. Except for the Eternal City, because it's, ahem, Eternal. (All roads really DO lead to Rome.)

But then I arrived in Torino and the rest of what I will say is just pure cliche, except that really and truly you must visit Torino. Really and truly you need to experience the grand piazzas and the porticos and the coffee culture and the pastries.

Turin, as I wrote in an essay for CNN Travel, is surrounded by mountains and criss-crossed by trams and cyclists. Being outdoors is what people do there, instinctively. Oh and the city is covered with porticos, or covered walkways, so strolling is a year-round hobby (not every city in Italy has these porticos; Florence, for example, has very few.)

The city also has the distinction of having been right in the middle of the Risorgimento, when Italy became an independent country.

One of the things the visit telegraphed to me was how little I've really traveled in Italy.

Sure, I've lived in Siena, Florence, Pisa and Rome. I've vacationed in Bologna, Milan, the Italian Riviera, Venice, the Benevento area in Campania and Puglia. Been to Rome countless times. I've even visited Sicily, which required a hectic overnight ferry.

But it's a big country, Italy. Torino has a different history -- and a different vibe (one laser-focused on coffee culture and public conviviality) -- from all these other places I've mentioned.

(As problems go, it is most certainly a FIRSTWORLDPROBLEM. But as an Italianist, I aim to know everything I can about my adopted culture).

For more about Torino, you can read an article I wrote for CNN Travel:

https://www.cnn.com/travel/article/return-trip-italy/index.html

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Tuesday, February 23, 2021

My Italian soundtrack

You love Italian coffee, Italian wine and Italian pasta. (You and Stanley Tucci!)

But what do you know about Italian pop music?

Probably the first time you’ve ever seen those words strung together in a sentence!

But bear with me, because if the only thing you know about Italian music is opera or Il Divo, then there’s room for a little more info in your mental music library. Plus singing along to Italian music is a much better way of boning up on your Italian than cracking open a phrase book.

So here are four Italian pop songs worth your time:

“Hai un momento, Dio?” by Ligabue ('You gotta minute, God?') -- click title to see/hear

In which Ligabue imagines coming face to face with God and asking him which soccer team tops Inter in the finals (as you might if you met God and were an Italian male), if it’s sunny in the Great Beyond and also why? Just why? Ligabue fancies himself the Italian answer to Bruce Springsteen if the Boss were from Bonjovi’s part of Jersey.

Another favorite is his song “Certe Notti,” in which he croons:

Certe notti la macchina è calda e dove ti porta lo decide lei.

Certe notti la strada non conta e quello che conta è sentire che vai.

Certe notti la radio che passa Neil Young sembra avere capito chi sei.

Certe notti somigliano a un vizio che non voglio smettere, smettere mai

 

(TRANS: Some nights, the car is warm and the one who decides where you’re going

Some nights, the road doesn’t matter, what matters is going somewhere

Some nights the radio that’s playing Neil Young seems to know who you are

Some nights are like a vice that I don’t ever ever want to quit

(2)

“America” by Gianna Nannini -- Video above

The title of the song is likely to grab your attention. But if not, how about this: it’s about self-pleasure. It’s also one of the “hardest” songs in the Italian pop repertoire – a repertoire not known for grungy, realistic rock.

Would you like to know more? The song, by one of the only bad girls in Italian rock, is an anthem about independence and the difficulty of ever knowing anyone really well. But even if you don't know the words, the beat tells you everything you need to know about rebelling, Italian-style.

(3)

“Le Ragazze” by Luca Carboni (“Girls”) -- click here to hear/see

The song is about women getting tans and flying around like butterflies but also stinging men, including the singer, like bees. No, really -- that's what it's about.

Le ragazze si abbronzano

Ma le ragazze, a cosa pensano?

(Girls get tans/But what do girls think about?)

Later he sings:

Poi di notte si accendono

(Then come nighttime, they light up)

There are so many more songs that I love and I think it’s largely because of the way I trace my journey into Italian music. It begins with “La canzone del sole,” by Lucio Battisti

Nando is strumming his acoustic guitar in piazza; behind us is the fountain and nowhere to be seen are the horses that will take center stage here in Piazza del Campo, come summer. The way he sings the song, the way we’re sitting in a piazza in Siena, Italy, like we have a reason to be there (like a girl from Hicksville has a reason to be there), well I couldn’t turn my back on Italian music. It made me feel just a little Italian when I was anything but.

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Monday, February 22, 2021

I kept your postcard

Did you send me a postcard once? If you chose it with some care, wrote a pithy message, or a long message, or sent it from a place dear to me (or us), most likely I still have it.

Open any drawer in my house and you will likely find a postcard. One I received or perhaps one I meant to send. (Or they may belong to Mike's "postcard collection," mainly culled from museum gift shops). I still buy postcards when I travel, and yes I even mail them.

Postcards are meant to capture a moment in time -- duh!

But sometimes I am stunned by how well they fulfill that mission.

One of my favorites is from my British friend Alex, whom I met in Siena when we were two aimless Study Abroaders, looking more for trouble than anything else (she was actually on her Gap Year).

Later after we'd left Siena (run out of town?!), she found the perfect postcard -- the one above -- and then added the perfect caption: "In memory of the casino we created therein." How could I not save it all these years? (casino = trouble)

It's part of a correspondence whose postmarks include not only Italy but also Luxembourg City, London, of course, Atlanta, Iguazu Falls (she's a world traveler) and many other far-flung destinations.

In fact, I've found a way to have the best of both worlds in postcard land -- a see-through lucite block picture frame where I can show off the front image as well as the inscription that has worked its way into my heart.

As I mentioned in my silly letter to Marie Kondo post (see here on right), I also have a postcard from my Florentine friend Floriano (say that 5 times fast). He'd gone to Ireland (years ago) and sending me a postcard from his trip, he wrote, "The land of your ancestors is amazing!"

One line that simultaneously pays homage to the country my family tree hails from and telegraphs this dear friend had been listening while I went on and on about being Irish-American.

Postcards, like I said, can do some very heavy lifting.

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Sunday, February 21, 2021

Leo's Greatest Hits (questions and comments division)

As you know, I jot down as many pithy observations from my budding philosopher as I can manage.

Like when he said, “Your tongue is like a slide for your food,” I scrambled to record it in the Leo Journal. You can't make this stuff up!

Or: “When you plant seeds, it’s like a baby being born.” How true! He's probably saying something like that in this old photo I've included. We began our days in Atlanta hunting for photos of Pres. Obama in The New York Times over breakfast.

Then there are the questions. They don't stop. And they are extremely detailed! He's ready with hard-hitting probing queries (future journalist? Nah probably an engineer. As you may know, engineers can be quite detail-oriented, ahem!). Here's one:

"What's your least favorite 3-D shape?"

Do you have an answer for that one? I did not, so he followed up with this: "What's your least favorite 2-D shape?" Much easier, right?

I am vaguely flattered by all of the questions, though I don't know what it means. He often doesn't have an answer for a particular question he's posed. I like to think he's so outwardly focused -- more interested in others than himself. But who knows? And would that even make sense at his age?

Here's a short conversation I jotted down in my diary years ago:

Leo: "Does the owner of Amazon do everything out of his house?"

Me: "He has a big factory."

Leo: "Does he have helpers?"

It’s almost like he thinks of Jeff Bezos as a kind of Santa Claus.

Anyway, I will keep writing down what he says because his words are a daily gift. Sounds like such a tired Hallmark card inscription but really true. I mean, children are almost always more entertaining than adults, and when the child in question is YOUR child? Christ, it feels like you're talking to the most interesting person in the world.

Last night, we read from a book about Albert Einstein in which he said the world is divided into people who believe nothing is a miracle and the people who believe everything is a miracle. Einstein preferred to be in the latter camp. Where do you think my little soul mate cast his lot?

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Saturday, February 20, 2021

Today in Reading, or Too Many Books?

I am joking of course when I even suggest there are too many books in the world, or too many books on my bed or too many books I haven't read.

I mean, could there really be too many?

And yet, ahem, the number of books I'd like to read appears to be exponential.

I've set a goal of reading a new memoir for every month of 2021 because I so enjoy teaching that genre of writing. And to that end, I've already read Parallel Time by Brent Staples, a memoir of Act One of Staples' life, long before he joined the editorial board of The New York Times. I've also read Home Before Dark, Susan Cheever’s memoir about her father.

And of course, I want to keep up with the latest in Italian fiction -- or at the very least, the latest in the slice of Italian literature that concerns me most (emerging women authors and older women writers overlooked by Anglophone publishers). Yet I got distracted and began reading Tre volte all'alba by Alessandro Baricco, who is not a woman but is writing in Italian. My sister, Liz, had bought me the book and it sat along with quite a few other unread books on a small bookshelf in my room, waiting for me to notice it.

It's not even about being too busy. I work for myself, in many ways.

But, given the sheer number of books I would like to read, will there ever be an end to all of this?

There are books on the floor, books in an Amish wooden bread basket I got from an antiques store that was meant to contain all of my reading-in-progress. Instead, it's permanently full -- overflowing, in fact -- and cannot accommodate any new bit of reading.

So the new bits of reading go on the floor, the old settee in the bedroom, the top of the bureau... 

I may be trying to read too much at once.

Take yesterday, for example. I had woken up early and then dormicchiavo for a bit so my mind was kind of pensive, restless, whatever, and it wound up being the most marvelous reading day because I re-read a book, and wound up finding something I had missed the first time. Namely a wonderful poet – Jolanda Insana – whose work is similar to poetry I am translating. So three cheers for Contemporary Italian Women Poets, an anthology that I've had for years, and which apparently I have not read in full.

I am also reading: 

Inventing the Future: the Art of Memoir

Walker in the City, by Alfred Kazin (which contains another version of the "Brownsville Kitchen" essay that I teach).

I have begun to *re-read*:

A Perfect Spy (in honor of the great one's death)

Bella Mia, by Donatella Di Pietrantonio (amazing Italian author who wrote A GIRL RETURNED)

I've taken out of the library, and have on deck:

Dear Mr. You

The Last Interview -- Anthony Bourdain edition

Basically, it's like I am rolling in books. 

I know this is a fairly prosaic statement for any booklover. We are all surrounded by books. But sometimes a feeling overcomes us, right? It's like we are consuming the books, not merely reading them. It's like wrapping ourselves up in a cuddly sweater. We are wrapping ourselves in words, in beloved books.

But when is it too much?

Friday, February 19, 2021

Tomorrow's tomorrow (from the archives)

One of my favorite entries in the Leo Lexicon is "tomorrow's tomorrow." He doesn't say it anymore, of course, since he's now 8 and knows the days of the week.

But back before he went to school, he would reference 'tomorrow's tomorrow' whenever he wanted to talk about the day after tomorrow. I loved the phrase so much I wrote about it here

He would even say tomorrow's tomorrow's tomorrow if he was talking about something we might do three days from now. Like Christmas is coming tomorrow's tomorrow's tomorrow.

(Or as I like to say, if tomorrow had a baby, it would be called tomorrow's tomorrow.)

I sometimes will meet someone in Italy who reminds me of a person I know from my American life. Or vice versa -- an American who is talking to me in English while I am picturing someone in Italy talking and gesturing just like my interlocutor but in Italian.

Similarly, I find my fascination with tomorrow's tomorrow akin to my interest in little Italian linguistic curiosities -- such as domani l'altro. Italians will use that phrase when talking about the day after tomorrow. But it literally means "the other tomorrow." The day after tomorrow is straight forward. Like 2 + 2. The "other" tomorrow? That's got a whole different dimension to it.

I am posting new writing or re-posting existing pieces of writing every day in February. Read more about these little grammatical oddities here.



Thursday, February 18, 2021

Leaving Atlanta (redux)

Just before we left Atlanta for good in 2017, I found myself standing in the kitchen, convulsing from ‘the tornado of change that is tearing through my life,’ a phrase I'd bracketed in quotes in my journal ... Am I quoting someone? Myself? Who knows.

And then:

"I am writing on a kitchen counter that's cluttered with all the things that were removed from end tables that have also since been removed – the house is empty and I think we are, too. 

"We are for all intents and purposes departed – most of the goodbyes have already been said, personal effects carted away – but we are lingering in a skeleton of a home so we can clean a bit. 

"Stranger to think I don’t like goodbyes since with all of these cross-country moves, I’m saying them much more often than the average person.

"How do I feel? Well, I am listening to Steve Winwood’s album 'Cigano.'"

Which meant the song that should be called "What My Father Said" on repeat in the car. My go-to album when I want to indulge way too much feeling.

"And I dipped into Van Morrison yesterday (“St. Dominic’s Preview”)..."

That song embodies such intense longing for me and I don't even know why. Van Morrison and Bruce Springsteen have that uncanny ability to make me long for a past that's not mine. I've probably mangled the meaning but I imagine the song title to refer to a place in Belfast, where Van was born, or at the least somewhere in Van's childhood that he couldn't forget even if memories could be stomped to death.

"...so I am courting the ache," I reported to my journal. "Plus all the reporting for Delta Sky magazine and the AJC personal journeys essay. 

"I am stewing in nostalgia, by choice, as if to throw a bucket of cold water on my face: You’re leaving, you’re leaving, you’re really doing it."

We really did it. We really left Atlanta, after two tours of duty totaling 12 years. "Homeward we go. Toward something as yet undefined but which we think will mitigate the fact that it’s been 'all downhill' since we left Florence, so many years ago."

See a previous post for how it initially worked out ("Is walking the cure?"). Then look at every post from the last three years to come to a final conclusion.

The move was good. But as I concluded when I wrote the "Personal Journeys" essay piece for the AJC, while the decision we made was a good one – an investment in Leo’s future and in the lives of other people we love,  the takeaway perhaps was this: "Adulthood means doing the right thing even though it doesn’t feel right – and won’t feel right for a very long time."

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Wednesday, February 17, 2021

The writing teacher is in

For the past year, I've been teaching courses in creative nonfiction writing, specifically a course in memoir and a course in literary journalism (also sometimes called narrative journalism). This last course kind of binds my journalism background with my MFA training.

And both are genres that I have practiced and which I aim to refine, myself -- the eternal writing student.

They have elements in common -- literary journalism often springs from a writer's particular interests or background. 

And memoir is all about mining the past, and attempting to find some order -- a story that can emerge from the most salient events of your life.

The courses have shown me the importance of learning our histories. For example, Walt Harrington, a White journalist who worked for the Washington Post Magazine and was married to a Black woman, decided to research his wife's family after he overheard a racist remark that brought home the importance of the family history to his biracial sons. So he travels to Kentucky, where his wife's family has deep roots, and he slowly, methodically interviews family members about their shared history.

We learn so much about Harrington's in-laws, including the racism they faced. But we also learn about a strand of American life completely unknown to me -- African-American bootleggers. I know about Kennedy's father and I've read The Great Gatsby, but that's where my bootlegging history ends. Or did end.

The piece also conveys the absolute primacy of interviews. Harrington sits down with all of the major members of the family. He describes the setting, and he quotes generously. Judging by the deep information he ferrets out, it was as if his wife's family was just waiting for someone to ask. They knew their history. They were ready to share it -- and now Harrington isn't the only person who benefits.

When I give students assignments -- especially graduate students at Wesleyan who are almost inevitably working full-time and possibly raising kids -- I occasionally worry, momentarily at least, that the work will seem unnecessarily onerous or arbitrary. 

But that worry vanished when I encouraged them to learn the story of their families for major course projects. When did your family arrive in America? What drove them here? Who was left behind and why? Where they did settle here and what work have they done?

No moment lost when you're discovering what brought you -- yes, you -- to this point in your life. And that's what family history is. The story of how we got here.

In the course of teaching the class on literary journalism, I discovered (as I mentioned in a previous post) that my grandfather had been quoted on the front page of The New York Times (in connection with his wartime work with Brooklyn's blood supply). Wait, hold up: The paper I've read religiously since childhood and which my parents quoted more often than the Bible, when I was growing up -- THAT paper quoted Grandpa Tisdall on the front page? Wow.

My hope is that others will do early what I've been doing late. And there's help! For example, UCLA has some online resources to walk people through interviewing family members (there's an art to asking questions, as any journalist will tell you, in order to get the most useful information). Here's a step-by-step guide from UCLA about preparing and conducting "oral histories" with family members:

https://www.library.ucla.edu/destination/center-oral-history-research/resources/conducting-oral-histories-family-members

All of this to say, start asking questions, record your family members and find out what can only be gleaned while your parents, aunts, uncles, grandparents, et al, are still alive. 

Tuesday, February 16, 2021

Postcard from Florence, or if they filmed "Rear Window" in Italy

When I arrived back in Florence in 2015 after a ten-year hiatus, I felt overwhelmed by everything I saw, heard, thought, and did. Where overwhelmed is wonderful. Where overwhelmed means feeling alive -- finally, again, in a very particular way tied to walking around town and talking in Italian.

I was staying with friends just outside of centro, in an apartment building typical of blocks of flats in Italy, which is to say within close reach of lots and lots of people. The result was a thoroughly Italian experience even if I was not in walking distance of the Duomo. Here's what I noticed:

May 17, 2015

5:52 a.m.

My mind is already split in two between Italian and English. Even in my dreams. As I walk about Florence and think about what I will tell Alex about my trip so far or as I write in my journal, the sentences are all a tangled mix of English and Italian. Già. Of course it’s not surprising. But it’s still incredibly pleasant. Like diving in a pool for the first time in years, and finding your body immediately bending toward the strokes once practiced so regularly.

But wait...what woke me so early? Was it the conversation in mezzo alla strada at 5:15 a.m.? The portone of the building closing again and again like a giant hammer? Or was it the very determined mosquito?

AHHHH Italian apartment buildings!!!

Anyway I’m up … and done battling the mosquito, done battling the infernal banging of the door, di continuo…and my reward is I am working in one of the most Italian of work spaces. Real Italian. A terrace that overlooks the inner courtyard of a series of large apartment buildings in Vicky and Angelo’s neighborhood. The wind is blowing good, there are lovely plants lovingly cultivated by Vicky adorning the terrace and below evidence of some very dedicated and talented gardeners who maintain pristine green spaces adjoining the ground floor apartments. My hosts? They’re sleeping. And me, I’m with the rondini circling over head and the breeze and these tiny house plants.

If Hitchcock had filmed "Rear Window" in Florence … that’s what it’s like.

The birds are circling over head, like an avian air show. I’ve opened the double doors of the kitchen in this real Italian apartment and I’m godendomi the early morning birdsong and wind and the church bells but in a very unusual spot for me…an apartment in periferia that as I've said gives onto a large inner courtyard that provides an unusual greenspace for the residents (and their visitors). You’re in nature but you’re not. The birds don’t seem to know the difference – they are circling in a quantita’ mai vista prima…

One things I like about staying with these friends is it’s real. I take the bus, I kvetch with the signoras at the fermata about how late the bus is in coming and whether I could take instead the No. 8. You walk around the nabe and it’s all real shops, frequented by actual Italians.

And it means you also have to deal with the Real Italy, of annoying mosquitoes, loud conversations at all hours and a large apartment entrance (il portone) that’s more like a bludgeon than a door.

I’’m running from appt to appt and making lots of acquisti. Walking the streets. It’s like I need to inspect every street that’s important to me, and also glance at other streets I don’t fully remember.

I feel an incredible energy right now. Which makes no sense because I’ve slept no more than 5.5 hours a night since Tuesday. But I’m breathing in the air and walking miles and miles each day and I have so many thoughts I don’t know where to turn.

I’m having thoughts I didn’t expect to have because I’m having encounters I didn’t expect to have.

It’s so clear that Italy is a part of me. Just the energy I feel, just the way I move through the streets so assuredly, as if I’ve been living on the moon for 18 years and have just finally touched down on earth again. Maybe it’s the walking. My earlier life, I walked everywhere in Florence and I am used to the rhythm of walking, stopping to inspect a shop window, then making some acquisti, then asking a question of a shop owner, then waiting for the bus… (not much like shopping on Amazon).

It sounds crazy but it feels primal to me. Like, yes, this is the way we live. How I live in Atlanta? No, that’s fake. That’s not a natural rhythm because it’s not feeding your mind and your soul.

The constant encounters with people -- maybe that’s it. To live, Italians must believe, you must be moving up against people and their expectations and their problems all the time.

Everything about this terrace sums up Italy. I look across the courtyard at another balcony where gorgeous pink flowers hang over the railing, next to a stendipanni with women’s underwear hanging on a line. Fully divine, fully human. Absolutely enchanting. I hear the terrace doors of other apartments opening, the dark saracinesche on the windows coming up now that it's daytime, a woman bringing two turtles out to the ground floor garden to roam around. You know, the usual. Then of course she can be seen sweeping just inside the garden doors. Some of the little squares of green belonging to the individual apartments are well-cultivated and pristine, others weedy and perfunctory.

Now it’s 7 a.m., and the 7 o'clock church bells are ringing across the city. It’s a sunny, cool Italian spring morning, and I’m on a tiny balcony, full of gorgeous little flower pots, immersed in greenery as the Italians would say and yet in the city, with a soundtrack of birds and church bells, and the faint banging of patio doors as middle-aged women come out to hang clothes on laundry lines. I can hear a signora yelling at someone to wash his hands. 

I try to photograph the little patios with their plant displays, their picture-perfect flowers, but nothing can duplicate what the human eye can see.

-30-

Monday, February 15, 2021

Is walking the cure?

I exhort my students -- and anyone who will listen -- to keep a journal, as you know by now. Jot things down. Keep notes. Pay attention, as the poet Mary Oliver might have said.

And sometimes my own little scribbled messages or entries in my digital diary work their way into published pieces. For example, recording Leo's early speech -- saying 'lello' instead of yellow and hangerburger for the meat you have with hotdogs -- was the subject of an essay I wrote for The New York Times about the "shooting star" of a child's early attempts at speech. And I was able to include bits of early dialogue that I'd recorded in my journal.

But one essay I wrote actually included a Google calendar alert. "Is walking the cure?"

I use the alerts for anything and everything. Even: "Take a shower." And sometimes I will use them to register a problem I am facing, if only to get me to face it.

The problem was insomnia, brought on by our rocky relocation to Connecticut. Within the space of three weeks, we'd left Atlanta, moved into a new house in Connecticut, enrolled Leo in kindergarten and resumed our work. In my case, resuming work meant doing something completely new -- namely teaching Italian while also earning a graduate degree in Italian literature.

(On a related note, I will say walking is miraculous! But I digress...)

I wrote about all of this for the AJC (Atlanta's main daily newspaper) after they published a longer essay I wrote about leaving Atlanta for good. Here's an excerpt:

The fall had been a long, hard slog. One recurring Google alert I had set for myself read: “Is walking the cure?” Google alerts, post-it notes, scraps of paper shoved in my pocket. Until earlier this year, it was how I managed my life in Atlanta, teaching, editing and writing whenever possible while also running after a five-year-old – my son, Leo. The reminders keep me on track with writing assignments, grant applications and groceries.

Not so with this note. “Is walking the cure?”

I was grasping at a solution because in the short time since leaving Atlanta last summer and moving to Connecticut for a new life up North, I’d suffered the worst insomnia in five years. I could log at best six hours of shut-eye night after night, despite putting in long hours as a new part-time professor of Italian at a college in Connecticut. In between lessons, I was trying to master dozens of new tasks, including the route to campus, my students’ names and staggered class schedules (Italian I, for example, met at 9:30, except Mondays when it met at 9:05).

But none of this frenzy of activity moved me to sleep more than six hours. I would jog around the field behind our house some mornings, making me energetic on the surface, exhausted just below.  

You can read the rest of the essay here (you'll have to scroll down a bit):

http://specials.myajc.com/pj-past-2017/

Sunday, February 14, 2021

From the Starry Journal

I've been writing for the past few months in a cloth-covered notebook I call the Starry Journal because, well, the front cover features little silver stars. Here's one entry:

Nov. 1, 2020 -- as Daylight Savings begins

I'm out in the yard with the dog and I see the thinnest seam of sunlight on this day we're meant to fall back. 

And for no logical reason, I think, "Quanto mi manca Italia." I miss Italy so much. 

And from there, I arrive at this thought: How much are we suppressing? How much pent-up longing lurks just beneath the veneer we present of adjusting to the pandemic?

I suppose my mind has knitted these ideas together because I don't really allow myself to pine for Italy (beyond grieving for how hard the country was hit by the Covid-19 pandemic). There's so much else to pine for, and we're simply not living in a time where you jet off to Italy. Not even Ciambellina.

Yet my goodness how we've adjusted, at least peripherally, to this insane world order. I wear my mask, I social distance, I attend no events. And one day, I exulted at driving up to visit the Wells Fargo ATM in Bloomfield. There ain't nothing exciting about Bloomfield! No Piazza della Signoria, no concert hall, nothing.

But I broke out of the cage of my home, and saw something different. That tells me the longing is deep.

To compensate, I urge myself to appreciate the small pleasures in life. So here goes it:

*Yesterday (on Halloween), Leo kept asking me, "How long until  Halloween?" It had been Halloween all day, and he knew that, of course, but I guess he meant, how long until we go trick-or-treating? So Halloween in his mind starts the moment you go on the hunt for candy. And rightly so.

*The sky above my neighbor's house right now is baby shower pink and blue.

*The air is pleasant, a bit cold, a bit damp, but bearable. Signature fall weather and it's a gift to be out in this yard.

*I am working today, remotely of course, and I have the ability to do so (so I am privileged).

*I slept well; I have a son; I have laughter; I have the Italian language (the English one, too). Oh and:

I think I saw Leo playing air guitar yesterday out in the yard! A first time for everything.

-30-

Saturday, February 13, 2021

Whatever happened to John Berendt?

I post at year's end what I accomplished in the 12 months afforded to me (see rail on right), but what about what I don't accomplish? 

There's quite a bit left unaccomplished, but usually, what can I say? A piece was rejected or never finished, and I move on, not always sure if the subject is worth pursuing (maybe it was rejected or left unfinished for a good reason). But here's a story that not only would I have liked to write (I pitched it too late, I'm afraid), but also one for which I would STILL like to know the answers.

And it's this:

Whatever happened to John Berendt?

You know, the extraordinarily talented writer who, a little over 25 years ago, published his blockbuster nonfiction book Midnight in the Garden of Good and Evil (1994).

Few authors can say they have actually transformed a city through their writing but Berendt did just that when he wrote Midnight, a bestseller and Pulitzer finalist. Savannah went from being a sleepy, albeit eccentric Southern city known to as a regional destination to becoming a de rigeur stop for any discerning American traveler. 

But in the quarter century since it was published, Berendt has published little in the way of books or lengthy magazine articles, even though he had successful tenures as a top editor at New York and Esquire magazines. It's not to suggest 'Midnight' was a fluke. He turned his formidable writing and probing skills on Venice to produce a nonfiction book that was arguably its equal (City of Falling Angels, published in 2005).

Yet for a writer as talented and heralded as Berendt, why is his body of work so slim? Why is he holding out on fans who have come to love his ability to synthesize history with the exploration of the lives of people so colorful they make his nonfiction read like fiction?

All of this to say, just where did John Berendt go and why isn't he more prolific?

I'm happy to live in the era of #MeToo where women's voices are finally receiving the attention they deserve, but Berendt's is one male voice I would love to hear from again.

Here's hoping someone turns up some information or better yet Berendt begins publishing again. 

Friday, February 12, 2021

Be a rookie -- at every stage of your life


Blog posts sometimes pile up without ever seeing the light of day. Such was the fate of this post about about ways we can be reborn in midlife, including learning new things. Namely: by being a rookie at every stage of your life. You can jump below to a link to an NPR story about this idea, and I've copied out what I think is the most salient part of the piece.

But first I will also mention a new book about this idea by Tom Vanderbilt. The New Yorker ran a really cool review that re-convinced me, let's say, that we should seek out ways to learn and grow even as we are primarily charged with helping our children learn and grow.

If nothing else, such decisions might plunge us into new communities. There is so much to recommend about the experience I had getting an MFA in writing somewhat later in life, for example, but one particular benefit has been induction into a loose but fervent community of writers. Not to mention the dreaded name Facebook, but I am a member of several groups on that platform dedicated to Bennington alums that underscore the importance of writing for us.

On a lighter note, I am now a paddleboarder! (That's a paddleboard I was loaned to tool around Lake Champlain a few summers back in the picture). Did you know there are paddleboard races?! Like maybe it will be in the Olympics some day? Craziness -- except the experience of being out on the water, especially alone, is practically religious. I don't know if I am doing it right, I only know paddle-boarding around a small island in Vermont and stopping at various coves along the way felt very right.

Vanderbilt says learning new skills activated a part of his brain he believes had been dormant for decades. I believe it. I want to get better at paddle-boarding just as an instinct. There's no prize. I don't even really think it burns very many calories! But it's new, and exciting and adjacent to my other aquatic interests. So why not? (It's probably why I insist on speaking some French when I visit Montreal -- the child locked in my brain delights at having a new puzzle, a new hard task).

Here's the link to the New Yorker article:



And from the never-posted file, a wonderful piece from NPR...

4. "At every stage of life, you should be a rookie at something." This insight comes from Chris Dionigi, a Ph.D. in "weed science" and the deputy director of the National Invasive Species Council (that kind of weed). He believes trying new things and failing keeps you robust. He took comedy improv classes and now spends many nights and weekends riding his bicycle as an auxiliary police officer for Arlington County, Va. Always have something new and challenging in your life, he says, "and if that something is of service to people and things you care about, you can lead an extraordinary life."