My lecture on Edith Bruck & 'This Darkness Will Never End'

Some of my readings have been sparsely attended (ahem!) but each one has brought me great joy because I have had the chance to meet face-to-face with readers of the translation who inevitably have compelling questions about Edith Bruck and This Darkness Will Never End. And in the case of my reading last year at the Forbes Library in Northampton, Mass., the wonderful librarians there asked if they could record my talk, giving me a very precious gift -- a permanent visual record of what I know about Edith Bruck, what I love about her work, and what has compelled me to translate her short stories, her poetry and one short bit of nonfiction.

As I've written here and for American Scholar, the story of Edith's life is fascinating, if you can call the personal embodiment of modern history's darkest moment fascinating. Deported from her native Hungary at age 12, she survived Auschwitz but her parents both died at the hands of the Nazis. As you'll learn in the lecture above, she was barely of high school age and had "lost everyone and everything." In her 20s, she moved to Italy, and fell in love with all that it had to offer. She's been writing in Italian ever since.

Thanks to everyone who has supported this translation! Last summer when I visited her in Rome, Edith told me she thinks about her parents nearly every day, and she said, "As long as I'm alive, so are they -- in my books, in my heart."

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The best magazine you've never read (unless you're 12)

When “The Week Junior” arrives in the mail, my 12-year-old son sits down immediately to read it cover to cover. One quick look at its smartly-written articles and eye-catching graphics, I see why he loves it so much. As a former newspaper reporter, I am thrilled at his interest!

The weekly publication, which debuted in 2020, is aiming to instill a habit in young readers that’s already a bygone one for many of their parents. Its very existence gives me hope for the future of journalism, and it doesn’t dumb anything down; coverage has included such high-brow topics as Henry Kissinger’s visit to China.

The magazine is so good that I've pitched feature articles about it but haven't been successful so I am writing about it here (in fact, I started this post more than a year ago, hence the reference to a 12-year-old son. He's now 13!). 

Just like a news magazine or newspaper, The Week Junior covers a little bit of everything, and there are always calls for reader submissions of photos or ideas. Coverage includes tween and teen-friendly topics such as Taylor Swift and the World Cup, in addition to hard news about politics and world events.

I'm writing about it now so that the magazine can attract more subscribers and keep going. It’s hitting newsstands at a time when scores of magazines and newspapers for grownups have closed. I hope it's successful longterm because it's been a wonderful gift for Leo (courtesy of my one-of-a-kind Aunt Marianne).

And of course, the next generation of news consumers needs to be nurtured.

Journalism is at an inflection point and our national digital addiction has also reached crisis proportions. The Week Junior is attempting to instill the habit of reading the news in the next generation at a time when adults as well as children are giving up on print publications. 

I am blogging about this magazine because I want the world to know about it, even if I've been unsuccessful pitching a feature article about it. Maybe another writer will see my post and write about the magazine. Or a parent will subscribe.

This is a magazine any parent would be proud to have in the home, and which furnishes children not only with information about our world but with curiosity about it.

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Edith Bruck & International Holocaust Remembrance Day (Jan. 27)

Unfortunately, I won’t make it to NYC today where outside of the Italian Consulate the names of all of the Italian victims of the Nazis will be read as part of a solemn, annual ritual that I’ve attended multiple times since I began translating Edith Bruck’s work. But I’m thinking of her (and all of those who were persecuted during World War II), along with the loved ones she lost, “swallowed up,” as she wrote, during “the long dark days of annihilation.” 

If you’d like to read some of her work, below you’ll find links to some of my translations of her fiction, nonfiction and poetry.

*My translation of a speech she gave called "My Alma Mater Is Auschwitz":

https://worldliteraturetoday.org/blog/essay/my-alma-mater-auschwitz-edith-bruck

 

*An excerpt of her second short story collection, Two Empty Rooms:

https://jewishcurrents.org/two-empty-rooms

*Translations of some of my favorite poems by Edith Bruck, including one in which she writes, "If there’s another life/I will be a yellow star/ To remind you once upon a time​/there was Auschwitz​":

https://www.asymptotejournal.com/poetry/edith-bruck-versi-vissuti/

*Last but not least: This Darkness Will Never End, my translation of her seminal 1962 short story collection:

        Click here to buy from Amazon

        OR here to buy from Bookshop

Wait, one more thing: here’s a recording of a talk I gave about my translation, courtesy of the wonderful librarians in Northampton, Massachusetts (it includes a lot of biographical information and anecdotes from my visit with Edith Bruck last summer in Rome).

I’ll close with one of my favorite lines from Edith’s work:

Sometimes it takes so little

Almost nothing

A simple gesture

A glance;

As when in the Lager

They allowed you a potato

A turnip

A tattered glove

Life is beautiful in those moments

And human beings so very kind

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What I read in 2025

Not a great year in reading for me and I am all to blame, a self-inflicted wound owing to distraction and commitments related to the translation (I also taught a class at Wesleyan, which requires me to re-read a lot of books from the course text list and thus neglect any non-course books I may have been reading). 

But I do like to log the year in reading and so here are a few books that sparked my imagination in significant ways:

John & Paul: A Love Story in Songs

The experience of reading John and Paul was so seismic that I wonder if perhaps I've been excluding a genre that I would otherwise love, namely biographies.

It’s been a while since I devoured a book the way I read this book. As I wrote in my journal, "I’ve been staying up until 11 p.m. reading it – not looking at Facebook, not fooling around with the laptop. Just reading as much of the book as I can manage – running to it whenever I have a moment free."

Am I reading the wrong books? So should I be reading more biographies? Or books about rock icons I love?! (Quick! Someone send me a biography of Bono and/or U2)

I think childhood -- and childhood obsessions -- could be the key here. When I read about the Beatles, it's as though I am reading about someone I knew – as if someone wrote a biography of St. Anthony’s High School or the streets of Florence or my mother. I followed the Beatles so closely as a young girl that I suppose that's why. As I wrote on Goodreads, it was part and parcel of my girlhood obsession with the Beatles to explore in minute detail the inner workings of the Lennon-McCarthy songwriting partnership, and thanks to this wonderful dual biography of the two Beatles, I can do just that. For anyone who's ever had any kind of Beatle worship, this book is essential. And what an interesting concept! Exploring this relationship as a one-of-a-kind partnership that eschews easy definition. 

I read another book that fascinated me while also being revolting:

Nobody's Girl by Virginia Giuffre

I both recommend and don't recommend this book by one of the best-known victims of Jeffrey Epstein. Would you like to confront pure evil? On the other hand, I made a point of purchasing the hardback so that my purchase could be counted in the hopes there are many, many sales. Sales = interest. Sales = this topic is important.

Per my routine, I also read a book by French novelist Patrick Modiano (which I was even able to review for the Boston Globe) and I re-read A Christmas Carol, something I've been doing every year at Christmas for about a decade (it's worth reading each year a line with which Marley chastises Scrooge: "Mankind was my business! The common welfare was my business...")

And I read another book that satisfies my nascent need to know everything about Nazi-occupied Europe: The Propagandist. I wrote about it for the 'What We're Reading' rubric published by The Common literary magazine (back in March). It's a fascinating though also revolting book about a French family that was pro-Hitler during World War II and most notably long afterwards as well! I believe it caused a bit of a stir when it was published in France. 

I also began reading (not read, in the past tense) (see distraction above, also insistence on reading multiple books at once) Eichmann in Jerusalem, the seminal account by Hannah Arendt of Adolf Eichmann's infamous trial for war crimes. There are a few books in the world that are so fundamental for understanding human behavior that you can glean quite a bit by reading half or failing to finish, and this is one such book. What I read about Eichmann's attitude, his ordinariness, his spoken testimony at the trial, the fact that he lived for quite a few years (dare I say happily?) in Argentina before being captured, all of this furnishes me with new horrifying information about the semi-recent historical event that engrosses me the most. (But I plan to finish it this year). 

Similarly, I read a book I'd long been searching for: Lettera da Francoforte by "my" author, Edith Bruck (translation: Letter from Frankfurt; not available in English). I found it at Il Libraccio in Florence -- a review copy, I believe, since on the front it says "inedito," ('unpublished'). It's the story of a Holocaust victim who tries to apply to a compensation program run by the German government. No, I do not know how autobiographical this work is but I'm going to see if I can find out. Did Edith ever apply to this fund? Is this fund real? I've come to know a little bit about the Claims Conference, which distributes compensation to victims of the Holocaust but I don't believe it is run by Germany.

What I'm Reading: The Art of X-Ray Reading

Writers are readers, right?

They have to be, and the author of the book, The Art of X-Ray Reading: How the Secrets of 25 Great Works of Literature Will Improve Your Writing, does an amazing job of showing the fruits we enjoy when we read very closely.

Roy Peter Clark examines work by James Joyce, William Butler Yeats, Zora Neale Hurston and Joan Didion, among others. Not summaries, not book reports but a deep examination of word choice, and how authors "create" meaning through the particular order of words.

Much of it is work I've read but perhaps not in this way or with the particular lens he employs. And besides, a short story like Joyce's "The Dead" is ripe for re-reading, savoring, deciphering, dissecting, all of which you'll find in the chapter dedicated to Joyce. As you can imagine, he examines the final lines of the story where words are repeated and he talks about the deft use of repetition here -- in other contexts, it could be something to avoid but the conscious re-use of particular words underscores the paralysis experienced by the protagonist, Gabriel Conroy.

In the back, Clark compiled a list of a long list of great sentences from a wide variety of works.

I actually read this book in 2025. I've been meaning to finish this post for a while but other commitments came first.

Before I conclude, let me say something about one section that I especially recommend: his analysis of the Yeats' poem, "The Second Coming." I've published the first stanza in another blogpost but it's worth reproducing it again in part, especially in light of the author's focus on the word gyre, which he says is an unusual word:

Turning and turning in the widening gyre//The falcon cannot hear the falconer;

Clark gets into the nitty gritty of the word's Greek origins, offers synonyms (vortex, maelstrom) and also notes it comes at the end of a sentence that begins with the repetition of a present participle -- unusual. A poem written to reflect a period of political turbulence, completely embodied in one word.

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To the ends of the word...: The Bishop's Bedroom by Piero Chiara

I am not the only one who enjoyed The Bishop's Bedroom! Happy to share this link to a review of the work by Piero Chiara, which was translated magnificently by Jill Foulston.

Here's the link to the blogpost with the review on a blog called To the Ends of the Word:

To the ends of the word...: The Bishop's Bedroom by Piero Chiara: The Bishop's Bedroom by Piero Chiara Translated by Jill Foulston

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A poem for today? The Second Coming by Yeats

(First stanza, only. How prescient W. B. Yeats was!)

Turning and turning in the widening gyre   

The falcon cannot hear the falconer;

Things fall apart; the centre cannot hold;

Mere anarchy is loosed upon the world,

The blood-dimmed tide is loosed, and everywhere   

The ceremony of innocence is drowned;

The best lack all conviction, while the worst   

Are full of passionate intensity.

 (Thanks to the Poetry Foundation. Also thanks to Roy Peter Clark for his wonderful analysis of this poem in his book, The Art of X-Ray Reading). (Also: photo courtesy of me! From our 2024 trip to Ireland, which included a stop at his grave).

Please review 'This Darkness Will Never End' on Amazon

I've been talking up my translation every way I can -- blogposts, public readings, bookfairs, Facebook messages, a trip to Ohio, mentions in a family Christmas newsletter, you name it!

And I've been foisting this work on everyone I know since it was published last April.

But I've neglected to say anything about reviewing This Darkness Will Never End on Amazon. Probably because I was born in 1850, as I like to say (I also like to add that Leo corrected me one day with this quip: "More like 1770." Ouch!) And also because I've been focused on readings, my dayjob, Leo, breathing, etc.

I do, of course, use Amazon! All the time. 

And I do want people to find it on Amazon! A famous author actually did just that and she got in touch with me, which was amazing.

You don't need to be famous to leave a review on Amazon of This Darkness Will Never End.

You just need to have some thoughts about the translation or Edith Bruck. So if you've read it, will you leave a review? Here's the link again:

https://www.amazon.com/This-Darkness-Will-Never-End/dp/1589882016

GRAZIE di cuore!

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At a little library near you: 'This Darkness Will Never End'

I've been dropping off copies of the translation at little libraries, including the one in Washington Market Park in Manhattan seen in the photo. I affix a note that explains how the book is a gift to whoever finds it and perhaps if the reading experience is a pleasure, would the person consider buying a copy for a friend?

Thousands of books are published each year and it's easy for a book from a small press to get lost, especially a translated title. So I took it upon myself to find a new way to introduce the book to a wider audience.

Since This Darkness Will Never End is a short story collection, I think it will work well for book clubs and I've devised a book club guide that you can find here.

It's also good for course adoptions -- thanks to Otterbein for proving this! My translation of Edith Bruck's first short story collection complements other Holocaust narrative texts such as works by Primo Levi or even The Diary of Anne Frank.

If you haven't read the translation yet, here's hoping you find a copy in a little library near you! Or you can buy it here or on Amazon (where you can consider writing a customer review!).

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